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Shloka 20

दण्डधारवधः | The Slaying of Daṇḍadhāra

प्रतिविन्ध्यस्ततश्रित्रं भित्ता पठचभिराशुगै: । सारथिं च त्रिभिरविंद्ध्वा ध्वजमेकेषुणापि च

prativindhyas tataḥ śitraṃ bhittvā pañcabhir āśugaiḥ | sārathiṃ ca tribhir avindhyā dhvajam ekeṣuṇāpi ca ||

सञ्जय उवाच—ततः प्रतिविन्ध्यः पञ्चभिराशुगैः शरैः शत्रोः कवचं विदार्य, त्रिभिः सारथिं विव्याध; एकेन च शरेण ध्वजमप्यविध्यत्।

प्रतिविन्ध्यःPrativindhya (name)
प्रतिविन्ध्यः:
Karta
TypeNoun
Rootप्रतिविन्ध्य (प्रातिपदिक)
FormMasculine, Nominative, Singular
ततःthen/thereupon
ततः:
TypeIndeclinable
Rootततः
शिरःhead
शिरः:
Karma
TypeNoun
Rootशिरस् (प्रातिपदिक)
FormNeuter, Accusative, Singular
भित्त्वाhaving pierced/split
भित्त्वा:
TypeVerb
Rootभिद् (धातु)
Formक्त्वा (absolutive/gerund), Parasmaipada (usage)
पञ्चभिःwith five
पञ्चभिः:
Karana
TypeNoun
Rootपञ्चन् (प्रातिपदिक)
FormMasculine/Neuter (numeral, indeclinable-like but declines here), Instrumental, Plural
and
:
TypeIndeclinable
Root
भिःwith (rays/splendours) / (uncertain reading)
भिः:
Karana
TypeNoun
Rootभि (प्रातिपदिक)
FormFeminine, Instrumental, Plural
आशुगैःswift (arrows)
आशुगैः:
Karana
TypeAdjective
Rootआशुग (प्रातिपदिक)
FormMasculine/Neuter, Instrumental, Plural
सारथिम्charioteer
सारथिम्:
Karma
TypeNoun
Rootसारथि (प्रातिपदिक)
FormMasculine, Accusative, Singular
and
:
TypeIndeclinable
Root
त्रिभिःwith three
त्रिभिः:
Karana
TypeNoun
Rootत्रि (प्रातिपदिक)
FormMasculine/Neuter (numeral), Instrumental, Plural
अविन्ध्यhaving struck/pierced
अविन्ध्य:
TypeVerb
Rootविध् (धातु) with preverb अव-
Formल्यप्/क्त्वा-सम (absolutive; irregular/epic form), Parasmaipada (usage)
ध्वजम्banner/standard
ध्वजम्:
Karma
TypeNoun
Rootध्वज (प्रातिपदिक)
FormMasculine, Accusative, Singular
एकेषुणाwith a single arrow
एकेषुणा:
Karana
TypeNoun
Rootएक-इषु (प्रातिपदिक)
FormMasculine, Instrumental, Singular
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
and
:
TypeIndeclinable
Root

संजय उवाच

संजय (Sañjaya)
प्रतिविन्ध्य (Prativindhya)
सारथि (charioteer)
ध्वज (banner/standard)
आशुग (swift arrows)

Educational Q&A

The verse highlights disciplined martial excellence: even in war, a warrior’s power is shown through precision and control—piercing armor, targeting the charioteer, and striking the banner—rather than uncontrolled violence.

Sañjaya reports that Prativindhya shoots a sequence of arrows: five to pierce the opponent’s armor, three to wound the charioteer, and one to strike the chariot’s banner, signaling dominance in the ongoing battle.