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Shloka 196

Droṇa-parva Adhyāya 107: Karṇa–Bhīma Saṃmarda

Arrow-storm Engagement

सर्वबीजविरूढेव यथा सीता श्रिया वृता । माननीय नरेश! जैसे खेतमें हलकी नोकसे बनी हुई रेखा सभी बीजोंके अंकुरित होनेपर शोभासम्पन्न दिखायी देती है, उसी प्रकार मद्रराजके रथका आश्रय ले वह सीता (हलद्वारा बनी हुई रेखा) बड़ी शोभा पा रही थी

sarvabījavirūḍheva yathā sītā śriyā vṛtā | mānanīya nareśa! yathā kṣetre halikā-nokasambhūtā rekhā sarvabījānāṃ aṅkurībhāve śobhāsampannā dṛśyate, tathā madrarājasya rathāśrayaṃ labdhvā sā sītā (halakṛtā rekhā) mahāśobhayā virājate sma |

सञ्जय उवाच—माननीय नरेश! यथा क्षेत्रे लाङ्गलाग्रकृता सीता सर्वबीजाङ्कुरोद्गमे शोभते, तथैव मद्रराजरथाश्रयेण सा ‘सीता’ महतीं शोभां लेभे।

सर्वबीजविरूढाsprouted with all seeds / having all seeds sprouted
सर्वबीजविरूढा:
Karta
TypeAdjective
Rootसर्व-बीज-विरूढा
FormFeminine, Nominative, Singular
इवas/like
इव:
TypeIndeclinable
Rootइव
यथाjust as
यथा:
TypeIndeclinable
Rootयथा
सीताfurrow (made by the plough); Sītā
सीता:
Karta
TypeNoun
Rootसीता
FormFeminine, Nominative, Singular
श्रियाwith beauty/splendour
श्रिया:
Karana
TypeNoun
Rootश्री
FormFeminine, Instrumental, Singular
वृताcovered/encircled/adorned
वृता:
TypeVerb
Rootवृत (√वृ, आवरणे/वरणे)
FormFeminine, Nominative, Singular, Past (PPP)

संजय उवाच

S
Sañjaya
N
Nareśa (Dhṛtarāṣṭra)
M
Madrarāja (Śalya)
R
Ratha (chariot)
S
Sītā (plough-furrow line)
H
Hala (plough)
K
Kṣetra (field)

Educational Q&A

The verse highlights how splendour and effectiveness arise when something finds proper support: as a furrow-line becomes truly beautiful when seeds sprout, so a feature or formation in war gains prominence when aligned with a powerful protector (here, the Madra king’s chariot). It implicitly points to the ethical insight that outcomes depend not only on inherent form but also on right association and timely conditions.

Sañjaya, reporting the battlefield to King Dhṛtarāṣṭra, uses an agrarian simile: he compares a ‘sītā’ (a plough-made furrow line) becoming attractive after germination to a battlefield sight that has become especially splendid by taking refuge with Śalya, the king of Madra, and his chariot.