Shloka 28

Devanagari script

द्वियोजनशतास्तस्य दंष्टा: परमदारुणा: | हनुस्तस्याभवद्‌ भूमावास्यं चास्यास्पृशद्‌ दिवम्‌

Transliteration

dvi-yojana-śatās tasya daṁṣṭrāḥ parama-dāruṇāḥ | hanus tasyābhavad bhūmāv āsyaṁ cāsyāsparśad divam ||

Translation

द्वियोजनशतास्तस्य दंष्ट्राः परमदारुणाः। हनुस्तस्याभवद् भूमावास्यं चास्यास्पृशद् दिवम्॥

Word by Word

• द्वि: two
• Type: Adjective
• Root: द्वि
• Form: Neuter, Nominative, Singular

• योजन: yojana (a measure of distance)
• Type: Noun
• Root: योजन
• Form: Neuter, Nominative, Singular

• शताः: hundreds
• Type: Noun
• Root: शत
• Form: Neuter, Nominative, Plural

• तस्य: of him/its
• Type: Pronoun
• Root: तद्
• Form: Masculine/Neuter, Genitive, Singular

• दंष्टाः: tusks/fangs
• दंष्टाः: Karta
• Type: Noun
• Root: दंष्ट्रा
• Form: Feminine, Nominative, Plural

• परम: exceedingly
• Type: Adjective
• Root: परम
• Form: Feminine, Nominative, Plural

• दारुणाः: terrible
• Type: Adjective
• Root: दारुण
• Form: Feminine, Nominative, Plural

• हनुः: jaw (lower jaw)
• हनुः: Karta
• Type: Noun
• Root: हनु
• Form: Feminine, Nominative, Singular

• तस्य: of him/its
• Type: Pronoun
• Root: तद्
• Form: Masculine/Neuter, Genitive, Singular

• अभवत्: was/became
• Type: Verb
• Root: भू
• Form: Imperfect (Lan), 3, Singular, Parasmaipada

• भूमौ: on the ground
• भूमौ: Adhikarana
• Type: Noun
• Root: भूमि
• Form: Feminine, Locative, Singular

• आस्यं: mouth
• आस्यं: Karta
• Type: Noun
• Root: आस्य
• Form: Neuter, Nominative, Singular

• च: and
• Type: Indeclinable
• Root: च

• अस्य: of this/its
• Type: Pronoun
• Root: इदम्
• Form: Masculine/Neuter, Genitive, Singular

• अस्पृशत्: touched
• Type: Verb
• Root: स्पृश्
• Form: Imperfect (Lan), 3, Singular, Parasmaipada

• दिवम्: heaven/sky
• दिवम्: Karma
• Type: Noun
• Root: दिव्
• Form: Masculine, Accusative, Singular

Speaker

च्यवन उवाच

Characters & Entities

• Cyavana (Chyavana)
• Mada (personified Pride/Intoxication)
• Indra
• Devas (gods)
• Earth (Bhūmi)
• Heaven/Sky (Diva)

Educational Q&A

What is the core teaching?

The passage dramatizes the ethical warning that pride and overreach—even in a king of gods like Indra—can be checked by the power of tapas and dharma; arrogance invites a force that overwhelms and humiliates.

What is happening in the narrative?

Cyavana describes the colossal, terrifying form of Mada: its jaw on the earth and mouth reaching the sky, with immense fangs—setting the scene for Indra and the gods being threatened and forced into submission.