Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
अङ्गुष्ठेन कनिष्ठान्तं नामयित्वाङ्गुलित्रयम् / मुद्रेयं नरसिंहस्य न्युब्जं कृत्वा करद्वयम्
aṅguṣṭhena kaniṣṭhāntaṃ nāmayitvāṅgulitrayam / mudreyaṃ narasiṃhasya nyubjaṃ kṛtvā karadvayam
अङ्गुष्ठेन कनिष्ठाग्रं नामयित्वा त्र्यङ्गुलीं च संकोच्य। अधोमुखं कृत्वा करद्वयं नरसिंहमुद्रेयमियं विधीयते॥
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Embodied devotion: the deity’s śakti is invoked through specific hand-forms; form (ākāra) supports inner recollection (smaraṇa).
Vedantic Theme: Saguṇa-upāsanā as a means to steadiness and fearlessness; īśvara-anugraha mediated through disciplined practice.
Application: Form the mudrā symmetrically with both hands; keep wrists steady and intention protective (rakṣā-bhāva) while reciting Narasiṃha-related mantra if given in the section.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: ritual/inner-space (mudrā-śarīra)
Related Themes: Garuda Purana 1.11 (mudrā-vidhi context); Garuda Purana 1.11 (subsequent Varāha and aṅga-mudrā instructions)
This verse presents Narasiṃha mudrā as a precise ritual gesture, implying protective and dharmic intent through correct hand formation in worship/practice.
Indirectly: it emphasizes ritual correctness and protective sacred practice, which the Garuda Purana often links to safeguarding the practitioner and maintaining dharma that supports auspicious outcomes.
Use the verse as a reference for accurate traditional practice: learn the correct finger placement and perform the mudrā with reverence in Narasiṃha-related devotion or protective prayer.