Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
एवं क्रीडां हरः कृत्वा समं च गिरिकन्यया आगच्छद् दक्षिणां वेदिमृषिभिः सेवितां दृढाम्
evaṃ krīḍāṃ haraḥ kṛtvā samaṃ ca girikanyayā āgacchad dakṣiṇāṃ vedimṛṣibhiḥ sevitāṃ dṛḍhām
Так, совершив божественную игру, Хара вместе с Дочерью Горы пришёл к южной веди — прочной, утверждённой алтарной площадке, которую посещали и служили ей риши.
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Divine līlā is not opposed to Vedic order: after playful intimacy, Śiva and Pārvatī move toward a consecrated, sage-attended ritual space, suggesting that dharma and sanctity frame and stabilize even divine play.
This is best classed under ākhyāna / dharma-anuśaṅga within 'Vamśānucarita' or allied narrative sections rather than core cosmogenesis; it is episodic narration tied to sacred/ritual setting and ṛṣi participation.
The 'dakṣiṇā vedī' and the presence of ṛṣis symbolize the anchoring of divine power in yajña-space and tradition; the couple’s approach can signify the integration of śakti (Girikanyā) with īśvara (Hara) in a ritually affirmed cosmos.