Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
अन्यालक्तकरागाढ्यं पादं कृत्वाकुलेक्षणा अनलक्तकमेकं हि हरं द्रष्टुमुपागता
anyālaktakarāgāḍhyaṃ pādaṃ kṛtvākulekṣaṇā analaktakamekaṃ hi haraṃ draṣṭumupāgatā
Другая женщина, с беспокойным от волнения взглядом, густо окрасила лаком одну ступню и пришла увидеть Хару (Шиву), оставив другую ступню, поистине, неокрашенной.
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The scene teaches that sincerity outranks perfectionism: devotion need not wait for full external readiness. The ‘unfinished’ foot adornment dramatizes how the pull of divine presence interrupts ordinary concerns.
Carita/ācāra-focused narration within an episode: it documents devotional behavior and social-religious life, not creation cycles or dynastic lists.
One foot dyed and the other undyed symbolizes a liminal state—half in worldly preparation, half already moving toward transcendence. The ‘restless eyes’ (ākulekṣaṇā) is a bhakti-marker: intense longing (utkaṇṭhā) that propels the devotee toward immediate darśana of Śiva.