Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ततो ननाम भगवांस्त्रिनेत्रः स्थावराधिपम् शैलाः प्रणेमुरीशानं ततो ऽसौ मुदितो ऽभवत्
tato nanāma bhagavāṃstrinetraḥ sthāvarādhipam śailāḥ praṇemurīśānaṃ tato 'sau mudito 'bhavat
{'pulastya uvāca': 'Pulastya said', 'iti evam uktvā': 'having said thus', 'śaila-indra': 'king/lord of mountains (Himavat)', 'hastaṃ hastena yojayan': 'joining (his) hand with (another) hand; hand-in-hand ritual gesture', 'prādāt': 'he gave', 'pratīccha': 'accept', 'bhagavan': 'O Lord', 'idam': 'this', 'uccaiḥ': 'loudly', 'udīrayan': 'uttering, pronouncing'}
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Divinity is shown as upholding maryādā (propriety): Śiva honors the ‘host’ (the mountain-king), modeling humility and relational dharma. Devotion is reciprocal—reverence offered with sincerity yields prasāda (divine pleasure).
Carita/Vamśānucarita mode: a narrative episode illustrating divine conduct and the sacralization of place through encounter and worship.
‘Lord bows to the lord of immovables’ signals that spiritual greatness is not negated by humility. The mountains bowing in turn depicts the universe as a liturgy: all strata of being participate in honoring īśvara.