Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
मृगार्द्धमार्द्रादित्यांशास्त्रयः सौम्यगृहं त्विदम् मिथुनं भुजयोस्तदस्य गगनस्थस्य शूलिनः
mṛgārddhamārdrādityāṃśāstrayaḥ saumyagṛhaṃ tvidam mithunaṃ bhujayostadasya gaganasthasya śūlinaḥ
Поздняя половина Мṛгаśīрṣа, Āрдрā и три «Āдитья»-доли (то есть три накшатры группы Āдитья) составляют этот дом Саумьи (Луны). Митхуна (Близнецы) соотнесена с руками того Владыки, несущего трезубец и пребывающего в небесной выси.
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Time-divisions are not merely astronomical; they are sanctified as aspects of the deity. This encourages aligning human action (ritual, vrata, worship) with sacred time, cultivating harmony between microcosm and macrocosm.
Cosmological structuring and divine taxonomy: best placed under Sarga/Pratisarga-style material (world-order and its divine administration).
Placing Mithuna on Śiva’s arms suggests ‘agency’ and ‘action’ (arms) governed by duality/pairedness (Gemini), implying that even polarity and relational life are held within the divine body.