The Slaying of Raktabīja and Niśumbha–Śumbha; the Manifestation of the Mātṛkās and the Devas’ Hymn
माहेश्वरी शूलविदारितोरसश् चकार दग्धानपरांश्च वैष्णवी शक्त्या कुमारी कुलिशेन चैन्द्री तुण्डेन चक्रेण वराहरूपिणी
māheśvarī śūlavidāritorasaś cakāra dagdhānaparāṃśca vaiṣṇavī śaktyā kumārī kuliśena caindrī tuṇḍena cakreṇa varāharūpiṇī
Махешвари пронзила и разорвала груди некоторых �Vamana Purana,30,36,VamP 30.36,śrutvā tu vākyaṃ kauśikyā dānavaḥ sucirādiva provāca cintayitvātha vacanaṃ vadatāṃ varaḥ,श्रुत्वा तु वाक्यं कौशिक्या दानवः सुचिरादिव प्रोवाच चिन्तयित्वाथ वचनं वदतां वरः,Andhaka Vadha,Dialogue Transition / Response of the Dānava,Adhyaya 30 (title not supplied in input; episode within Andhaka/Daitya cycle),30.36,śrutvā tu vākyaṃ kauśikyā
{ "primaryRasa": "raudra", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Mātṛkās are conceptualized as the śaktis (energies) of major gods; their weapons function as identifiers of the deity-power they embody. The verse uses weapon-iconography to map each Mother to her corresponding divine source.
Here it is a Devī-form adopting Varāha’s boar-form symbolism and weaponry (snout and cakra). It signals theological overlap—Devī can manifest the functions and forms associated with Viṣṇu—without shifting the narrative into a full Varāha-avatāra episode.
The catalogue style conveys overwhelming divine coordination: different cosmic powers converge to dismantle Asuric forces. It also serves as a compact iconographic ‘key’ for recognizing the Mātṛkās in later ritual and temple art.