Akhaṇḍa-Ekādaśī Vrata and the Vaiṣṇava Protective Hymn; Prelude to the Kātyāyanī–Mahiṣāsura Narrative
ततो निवारितो यक्षैर्हयारिर्मदनातुरः निपपात सरो दिव्यं ततो दैत्यैऽभवन्मृतः
tato nivārito yakṣairhayārirmadanāturaḥ nipapāta saro divyaṃ tato daityai'bhavanmṛtaḥ
Затем Хаяри, сдерживаемый Якшами и охваченный безумием, упал в божественное озеро; после этого тот Дайтья встретил свою смерть.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Uncontrolled mada (frenzy, intoxication, pride) precipitates downfall; sacred spaces become arenas where adharma culminates in self-destruction, underscoring restraint and dharma.
Primarily Vamśānucarita/Carita-style narrative (accounts of beings and events) within a Tīrtha-māhātmya frame; not sarga/pratisarga but episodic exemplum tied to place-sanctity.
The 'divine lake' functions as a moral boundary: when approached with violence and delusion, it becomes a threshold of death rather than purification—highlighting that tīrtha-phala depends on inner disposition.