Shloka 5
Account of Various Sacred Tīrthas
Pilgrimage Merits and Prayāga Supremacy
गंगायास्तु परं द्वीपं प्राप्य यः स्नाति भारत । त्रिरात्रोपोषितो राजन्सर्वकाममवाप्नुयात्
gaṃgāyāstu paraṃ dvīpaṃ prāpya yaḥ snāti bhārata | trirātropoṣito rājansarvakāmamavāpnuyāt
О Бхарата, кто достигнет дальнего острова Ганги и омовётся там, соблюдая пост три ночи, о царь, обретёт исполнение всех желаний.
Pulastya (to Bhīṣma)
Concept: Pilgrimage joined with disciplined fasting (three nights) makes the tīrtha-fruit potent, culminating in ‘all desires’ being fulfilled—ideally refined into dharmic aims.
Application: Adopt short, safe austerities (e.g., three-day restraint from excess, digital fasting, simple diet) paired with prayer/charity; let desires be examined and aligned with dharma.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"A pilgrim, lean from a three-night fast, steps onto a misty river-island where Gaṅgā’s currents braid around sand and reeds. Pulastya, serene and luminous, points toward the bathing spot as Bhīṣma listens, the air filled with mantra murmurs and the promise that disciplined devotion ripens into fulfilled aims.","primary_figures":["Pulastya Ṛṣi","Bhīṣma","a fasting pilgrim (yātrika)","Gaṅgā (as a subtle divine presence)"],"setting":"A river-island tīrtha in the Gaṅgā delta; sandbars, reeds, small shrine, boats tethered to stakes","lighting_mood":"moonlit with soft river-glow","color_palette":["pearl white","river jade","midnight blue","silver gray","saffron cloth"],"tanjore_prompt":"Tanjore painting style: Pulastya instructing Bhīṣma beside a Gaṅgā river-island shrine, a fasting pilgrim entering the water; gold leaf halos, gem-like ornamentation on sages’ aureoles, rich maroons and greens, stylized lotus waves, ornate arch framing the tīrtha scene.","pahari_prompt":"Pahari miniature style: delicate island landscape with braided currents, reeds, and a small shrine; Pulastya and Bhīṣma seated on a sandbank, pilgrim with folded hands; cool blues and pale moonlight, fine facial features, lyrical naturalism and quiet devotion.","kerala_mural_prompt":"Kerala mural style: bold-outlined Pulastya and Bhīṣma near a stylized Gaṅgā with curling wave motifs; strong reds/yellows/greens, temple-wall composition, large expressive eyes, decorative floral borders suggesting vrata-discipline and tīrtha sanctity.","pichwai_prompt":"Pichwai cloth painting style: Gaṅgā island rendered with lotus clusters and patterned waves, ornate border of tulip/lotus motifs; central bathing devotee, sages to one side; deep indigo and gold highlights, rhythmic repetition of water patterns, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","soft hand-bell","night insects","distant conch","silence between phrases"]}
Sandhi Resolution Notes: गंगायास्तु = गङ्गायाः + तु; राजन्सर्वकाममवाप्नुयात् = राजन् + सर्वकामम् + अवाप्नुयात्; त्रिरात्रोपोषितो = त्रिरात्र-उपोषितः (visarga lost in sandhi).
FAQs
It treats a specific Gaṅgā-location—described as a “farther island/river-islet” (paraṁ dvīpam)—as a distinct tīrtha whose merit is activated by reaching it and bathing there.
While framed as a tīrtha-rite, the verse highlights devotional sacred geography centered on Gaṅgā; the act of pilgrimage, bathing, and vow (fasting) functions as a faith-based discipline directed toward divine grace and merit.
It links desired outcomes to self-restraint: the promised fruit (“all desires”) is conditioned on discipline—travel to a holy place and a three-night fast—teaching that restraint and sacred intention should precede enjoyment.