Shloka 22

Śukasya Janma-yoga-phalaṁ — Vyāsasya Tapasā Putrārthaḥ (Śānti-parva 310)

Devanagari script

अधथ: श्रोत्रेन्द्रियग्राम उत्पद्यति नराधिप । सप्तमं सर्गमित्याहुरेतदैन्द्रियकं स्मृतम्‌,नरेन्द्र! श्रोत्र आदि इन्द्रियोंके बाद कर्मेन्द्रियोंकी उत्पत्ति होती है। इसे सातवाँ सर्ग कहते हैं। इसीको ऐन्द्रियक सृष्टि भी कहा जाता है

Transliteration

atha śrotrendriyagrāma utpadyati narādhipa | saptamaṃ sargam ity āhur etad aindriyakaṃ smṛtam ||

Translation

Яджнявалкья сказал: «Затем, о царь, проявляется совокупность способностей чувств, начиная со слуха. Это объявляется седьмой ступенью творения и помнится как “чувственное (aindriyaka) творение”.»

Word by Word

अथthen/thereafter

श्रोत्रेन्द्रियग्रामःthe group of auditory sense-organs (i.e., the sense-faculty group beginning with hearing)

उत्पद्यतिarises/is produced

नराधिपO king/lord of men

सप्तमम्the seventh

सर्गम्creation/emanation; a stage of creation

इतिthus

आहुःthey say/declare

एतत्this

ऐन्द्रियम्pertaining to the senses

स्मृतम्is remembered/considered (as)

Speaker

याज़्ञवल्क्य उवाच

Characters & Entities

Yājñavalkya

narādhipa (the king addressed)

Character Dynamics

Dharma Sankata (Moral Dilemma)

Verse Rasa (Emotional Essence)

Philosophical Teaching

Political Layer

Geographic Context

Meter (Chandas)

Sandhi Notes

Educational Q&A

What is the core teaching?

The verse presents a step-by-step cosmology: after earlier principles have manifested, the sensory faculties (beginning with hearing) arise as a distinct, traditionally recognized stage—called the seventh creation, the ‘sensory creation’ (aindriyaka).

What is happening in the narrative?

In Śānti Parva’s didactic dialogue, Yājñavalkya instructs the king on the ordered emergence of the constituents of embodied life, identifying the appearance of the sense-faculties as a specific stage within the broader account of creation.