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Shloka 8

Sauptika Parva, Adhyaya 8 — Dhṛṣṭadyumna-vadha and the Camp’s Nocturnal Rout

अहं प्रवेक्ष्ये शिबिरं चरिष्यामि च कालवत्‌ । यथा न ककश्रिदपि वा जीवन्‌ मुच्येत मानव:,इति श्रीमहा भारते सौप्तिकपर्वणि रात्रियुद्धे पाज्चालादिवधेडष्टमो5ध्याय:

ahaṁ pravekṣye śibiraṁ cariṣyāmi ca kālavat | yathā na kaścid api vā jīvan mucyeta mānavaḥ ||

«Я войду в стан и пройду по нему, словно сама Смерть, так что ни один человек там — никто вообще — не уйдёт живым».

अहम्I
अहम्:
Karta
TypeNoun
Rootअस्मद्
Form—, Nominative, Singular
प्रवेक्ष्येwill enter
प्रवेक्ष्ये:
TypeVerb
Rootप्र-विश्
FormFuture, 1st, Singular, Parasmaipada
शिबिरम्camp
शिबिरम्:
Karma
TypeNoun
Rootशिबिर
FormNeuter, Accusative, Singular
चरिष्यामिwill move about / will act
चरिष्यामि:
TypeVerb
Rootचर्
FormFuture, 1st, Singular, Parasmaipada
and
:
TypeIndeclinable
Root
कालवत्like Time (as Death)
कालवत्:
TypeAdjective
Rootकालवत्
Form—, —, —
यथाso that / in such a way that
यथा:
TypeIndeclinable
Rootयथा
not
:
TypeIndeclinable
Root
कश्चित्anyone
कश्चित्:
Karta
TypePronoun
Rootकश्चित्
FormMasculine, Nominative, Singular
अपिeven
अपि:
TypeIndeclinable
Rootअपि
वाor
वा:
TypeIndeclinable
Rootवा
जीवन्living, alive
जीवन्:
TypeAdjective
Rootजीवत्
FormMasculine, Nominative, Singular, शतृ (present active participle)
मुच्येतmight be released / might escape
मुच्येत:
TypeVerb
Rootमुच्
FormOptative, 3rd, Singular, Atmanepada (passive sense)
मानवःman, human
मानवः:
Karta
TypeNoun
Rootमानव
FormMasculine, Nominative, Singular
इतिthus (quotative)
इति:
TypeIndeclinable
Rootइति

संजय उवाच

S
Sañjaya
Ś
śibira (the camp)
K
Kāla (Time/Death)

Educational Q&A

The verse highlights the moral peril of letting wrath and vengeance override restraint: the speaker’s intent is not victory in fair combat but annihilation, invoking Kāla (Death) as a model. It frames the Sauptika episode as ethically charged—where the boundary between righteous warfare and adharma is strained by the choice of a night attack and the aim of leaving no survivors.

Sañjaya reports a resolve to enter the enemy camp at night and move through it like Death, ensuring that no one escapes alive. This sets the tone for the nocturnal slaughter associated with the Sauptika Parva’s account of the raid on the camp.