Shloka 52
Veṅkaṭācala Māhātmya: Bhakti-Lakṣaṇa, Nārasiṁha-tīrtha, and the Secret Darśana-Vidhi of Śrīnivāsa
अतो हरिः केशवनामधेयो भोः केशवेति च नर्तयन्तः / आनन्दवापीं संस्त्रवन्तोभि जग्मुर्नारायणेति प्रवदन्तो हि जग्मुः
ato hariḥ keśavanāmadheyo bhoḥ keśaveti ca nartayantaḥ / ānandavāpīṃ saṃstravantobhi jagmurnārāyaṇeti pravadanto hi jagmuḥ
Потому они выступили с Хари — тем, чьё имя Кешава, — танцуя и восклицая: «О Кешава!» Они шли дальше, словно вливаясь в источник блаженства, и воистину шествовали, провозглашая: «Нараяна!»
Lord Vishnu (narrative voice within the Vishnu–Garuda dialogue)
Concept: Nāma-saṅkīrtana of Hari/Keśava/Nārāyaṇa as a direct conduit to ānanda and spiritual progress.
Vedantic Theme: Īśvara as accessible through nāma; bhakti as a practical upāya leading toward śānti and liberation.
Application: Adopt regular chanting of ‘Keśava’ and ‘Nārāyaṇa’ (japa/saṅkīrtana), ideally with kīrtan, walking meditation, or congregational singing to stabilize joy and devotion.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana (Pretakalpa/Upadeśa sections): repeated emphasis on Viṣṇu-nāma as refuge and purifier (general parallel)
FAQs
This verse presents Vishnu-nāma (Keśava/Nārāyaṇa) as a direct vehicle of joy and spiritual passage—moving the devotee into “ānanda,” a state of blessedness rather than fear or distress.
It depicts a soul (or devotees) progressing by remembrance and proclamation of Vishnu’s names, suggesting an inwardly guided transition marked by devotion and bliss rather than punishment-oriented imagery.
Cultivate steady nāma-smaraṇa—regularly recite “Nārāyaṇa” or “Keśava”—so that remembrance becomes natural in crisis, at death, and in daily ethical living.