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Valmiki Ramayana 2.81.2Ayodhya Kanda, Sarga 81, Shloka 2

एकाशीति तमः सर्गः

Bharata’s Grief, Courtly Summons, and the Assembly Hall

सुवर्णकोणाभिहतः प्राणदद्यामदुन्दुभिः।दध्मुश्शङ्खांश्च शतशो नादांश्चोच्चावचस्वरान्।।।।

Sanskrit recitationValmiki Ramayana 2.81.2

suvarṇa-koṇābhihataḥ prāṇadad yāma-dundubhiḥ |

dadhmuḥ śaṅkhāṃś ca śataśo nādāṃś coccāvaca-svarān ||

Os tambores da vigília noturna, batidos com baquetas de ponta dourada, ressoaram; e as conchas, às centenas, foram sopradas, soltando chamados de muitos tons, ora ascendentes, ora descendentes.

suvarṇa-koṇa-abhihataḥstruck with golden sticks
suvarṇa-koṇa-abhihataḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsuvarṇa (प्रातिपदिक) + koṇa (प्रातिपदिक) + abhihata (कृदन्त; √han धातु)
Formतत्पुरुषसमास; 'suvarṇakoṇena abhihataḥ' (struck with a golden stick/rod); पुंलिङ्ग (m.), प्रथमा (Nom.), एकवचन (sg.); विशेषण to 'yāmadundubhiḥ' (as a drum)
prāṇadatresounded
prāṇadat:
Kriyā (क्रिया)
TypeVerb
Root√ad (धातु) with preverb prāṇa- (प्राण)
Formलङ् (Imperfect), परस्मैपद, प्रथमपुरुष (3rd), एकवचन (sg.); 'gave forth (sound)'
yāma-dundubhiḥwith night-watch drums
yāma-dundubhiḥ:
Karaṇa (करण)
TypeNoun
Rootyāma (प्रातिपदिक) + dundubhi (प्रातिपदिक)
Formतत्पुरुषसमास (night-watch drum); पुंलिङ्ग (m.), तृतीया (Instr.), बहुवचन (pl.)
dadhmuḥblew
dadhmuḥ:
Kriyā (क्रिया)
TypeVerb
Root√dham (धातु)
Formलङ् (Imperfect), परस्मैपद, प्रथमपुरुष (3rd), बहुवचन (pl.)
śaṅkhānconches
śaṅkhān:
Karma (कर्म)
TypeNoun
Rootśaṅkha (प्रातिपदिक)
Formपुंलिङ्ग (m.), द्वितीया (Acc.), बहुवचन (pl.)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
śataśaḥby hundreds
śataśaḥ:
Prakāra (प्रकार)
TypeIndeclinable
Rootśataśas (अव्यय)
Formअव्यय; परिमाण/प्रकारवाचक क्रियाविशेषण (adverb of quantity): 'by hundreds'
nādānsounds
nādān:
Karma (कर्म)
TypeNoun
Rootnāda (प्रातिपदिक)
Formपुंलिङ्ग (m.), द्वितीया (Acc.), बहुवचन (pl.)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
uccāvaca-svarānof varied pitch
uccāvaca-svarān:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootuccā (प्रातिपदिक) + avaca (प्रातिपदिक) + svara (प्रातिपदिक)
Formकर्मधारयसमास (varied/high-low tones); पुंलिङ्ग (m.), द्वितीया (Acc.), बहुवचन (pl.); विशेषण to 'nādān'

The drums of the night watch were beaten by golden sticks. Conches in hundreds were blown and sounds of various modulations were created.

Ś
śaṅkha (conch)

FAQs

Dharma here appears as social order: timekeeping, guards, and ceremonial signals uphold a disciplined kingdom—even when the royal household is in crisis.

Courtly instruments are sounded in the palace context, as if for royal routine/announcement, setting the stage for Bharata’s awakening amid mourning.

Collective civic duty: the attendants and guards perform their assigned roles, reflecting steadiness and adherence to established norms.

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