Shloka 175
The Tārakāmaya War: Divine Mustering, Māyā Countermeasures, Aurva Fire, and Viṣṇu’s Slaying of Kālanemi
सुतलेनोच्छ्रयवता विपुलांगुलिपर्वणा । लंबाभरणपूर्णेन किंचिच्चलितकर्मणा
sutalenocchrayavatā vipulāṃguliparvaṇā | laṃbābharaṇapūrṇena kiṃciccalitakarmaṇā
Com sola elevada e articulações dos dedos bem largas, carregado de longos ornamentos, e com movimentos um tanto vacilantes em sua ação.
Narrator (context not fully determinable from a single pāda/verse fragment)
Concept: Outer splendor and ornamentation can coexist with inner instability; discern steadiness of conduct over display.
Application: Evaluate leaders and oneself by consistency and ethical steadiness, not by adornment, status, or spectacle; cultivate inner discipline.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: celestial_realm
Visual Art Cues: {"scene_description":"The figure is shown with a raised, platform-like stance and unusually broad finger-joints, his long ornaments hanging in heavy strands that sway as he moves. Despite the grandeur, his actions appear slightly unsteady—like a massive structure shifting—creating an unsettling contrast between opulence and instability.","primary_figures":["Colossal ornament-laden being"],"setting":"Threshold between celestial battlefield and a hinted netherworld aesthetic—dark jeweled architecture, stepped platforms, and subterranean glow suggesting Sutala-like splendor.","lighting_mood":"subterranean gleam with flickering highlights on jewelry","color_palette":["antique gold","deep garnet","obsidian black","emerald green","smoky quartz grey"],"tanjore_prompt":"Tanjore painting style: ornament-laden colossal figure on a raised platform, exaggerated broad finger-joints, long necklaces and armlets rendered with gem-studded detail; gold leaf emphasizing jewelry weight and sheen; rich reds and greens; subtle depiction of unsteady motion through angled posture and swaying ornaments.","pahari_prompt":"Pahari miniature style: refined detailing of long ornaments and hands; slight tilt in stance to suggest instability; jewel-toned nether-palace backdrop with delicate architectural lines; cool shadows with warm gold highlights; lyrical yet eerie mood.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized heavy ornaments, rhythmic curves showing sway; stepped platform motif; strong reds/yellows/greens against dark ground; expressive eyes and iconic posture conveying uneasy movement.","pichwai_prompt":"Pichwai cloth painting style: decorative emphasis on ornament strands and patterned textiles; deep blue-black ground with gold ornamentation; border of floral motifs; central figure slightly off-balance, ornaments swinging in symmetrical arcs to show motion."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["jewelry clink (subtle)","low drum pulse","echoing cavern ambience","wind"]}
Sandhi Resolution Notes: सुतलेनोच्छ्रयवता → सुतलेन उच्छ्रयवता; विपुलांगुलिपर्वणा → विपुलाङ्गुलिपर्वणा; लंबाभरणपूर्णेन → लम्बाभरणपूर्णेन; किंचिच्चलितकर्मणा → किञ्चित् चलितकर्मणा
FAQs
The verse reads like a physical/ornamental description—highlighting elevated form, prominent finger-joints, long ornaments, and slightly wavering movement—typical of Purāṇic narrative portraiture.
Not explicitly. On its own, it functions primarily as descriptive narration; theological or bhakti implications would depend on the surrounding verses and the identity of the described figure.
By itself, it does not present a clear ethical injunction; it contributes to characterization through physical and behavioral detail, which may support a larger narrative point in the broader passage.