Shloka 57
The Episode of Cyavana
Cyavana’s Hermitage and the Power of Tapas
तदालोक्य नृपो भीतः किंचिदुद्विग्नमानसः । जनानपृच्छत्केनापि मुनये त्वपराधितम्
tadālokya nṛpo bhītaḥ kiṃcidudvignamānasaḥ | janānapṛcchatkenāpi munaye tvaparādhitam
Vendo aquilo, o rei ficou com medo, com a mente um tanto inquieta, e perguntou ao povo: «Por quem foi ofendido este sábio?»
Narrator (Purāṇic narrator describing the king’s reaction)
Concept: A wise ruler responds to calamity by searching for moral causes—especially offenses to sages—and by restoring dharma through humility and repair.
Application: When problems escalate, ask not only ‘what happened’ but ‘whom did we hurt?’—then make amends promptly, especially to teachers, elders, and the vulnerable.
Primary Rasa: bhayanaka
Secondary Rasa: vira
Type: city
Visual Art Cues: {"scene_description":"In a tense royal assembly, the king rises from his throne, eyes widened yet steadying into resolve. Courtiers and townspeople cluster below as he asks who has offended a sage, while a hush falls—everyone sensing that the remedy lies in confession and appeasement.","primary_figures":["the king (nṛpa)","courtiers","townspeople","a sage figure (symbolic/anticipated)"],"setting":"royal court hall with throne, pillars, and gathered subjects","lighting_mood":"divine radiance","color_palette":["royal blue","burnished gold","stone gray","crimson","white jasmine"],"tanjore_prompt":"Tanjore painting style: king standing in a jeweled court, hand raised in inquiry, courtiers and citizens assembled; gold leaf on throne, crown, and pillar capitals; rich reds/greens/royal blue garments; expressive faces showing fear and dawning responsibility; traditional iconographic symmetry.","pahari_prompt":"Pahari miniature style: court scene with refined architecture, the king slightly forward from the throne, delicate gestures of questioning; soft pastel palette with cool grays and blues; detailed textiles and turbans; emotional nuance in faces and spacing.","kerala_mural_prompt":"Kerala mural style: frontal court composition, bold outlines, large expressive eyes; king in heroic stance, attendants in rhythmic rows; red/yellow/green pigments with gold-like highlights; ornamental borders suggesting dharmic order being restored through inquiry.","pichwai_prompt":"Pichwai cloth painting style: court rendered as decorative pavilion with floral borders; king centered, subjects arranged symmetrically; deep blue ground with gold accents; lotus motifs framing the moral question, hinting at Vishnu’s unseen governance."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["court murmurs fading to silence","single temple bell strike","conch shell (soft, distant)","footsteps on stone"]}
Sandhi Resolution Notes: tadālokya = tad + ālokya; kiṃcidudvignamānasaḥ = kiṃcit + udvigna-mānasaḥ; janānapṛcchatkenāpi = janān + apṛcchat + kena + api; tvaparādhitam = tu + aparādhitam.
FAQs
It highlights the king’s fear and moral urgency upon realizing that a sage has been offended, implying serious karmic and social consequences for such an aparādha.
Sages are portrayed as guardians of tapas (spiritual power) and dharma; harming or insulting them is considered a direct violation of dharma that can quickly yield adverse results.
When wrongdoing is suspected—especially against the virtuous—one should investigate promptly, accept accountability, and seek restoration rather than ignore the harm.