Kṛṣṇa at Duryodhana’s House: Refusal of Hospitality and Departure to Vidura (कृष्णस्य धार्तराष्ट्रनिवेशनगमनम्)
रथनेमिनिनादैश्व व्यबोध्यन्त तदा गृहे । शड्खभेरीनिनादेन वेणुवीणानुनादिना
rathanemi-ninādaiś ca vyabodhyanta tadā gṛhe | śaṅkha-bherī-ninādena veṇu-vīṇā-nunādinā ||
Disse Vaiśampāyana: Então, dentro das casas, as pessoas foram despertadas e postas em alerta pelo estrondo das rodas dos carros—junto com o brado das conchas e dos grandes tambores, e a ressonância contínua de flautas e vīṇās. A cena sugere um despertar público em que a prontidão marcial e a música cerimonial se fundem, sinalizando um avanço decisivo rumo à ação.
वैशम्पायन उवाच
The verse highlights how collective life is shaped by signals and sounds: martial instruments and festive music together can awaken a community to impending duty and decisive action. It suggests that public ceremonies often carry ethical weight, preparing people psychologically for consequential choices.
A household (or palace setting) is stirred awake and alerted by the loud approach and preparations associated with chariots and instruments—conches, drums, flutes, and vīṇās—indicating a significant movement or assembly connected with royal or martial activity.