कर्णपरर्वणि त्रयोचत्वारिंशदध्यायः (Karṇa-parva Adhyāya 43) — Kṛṣṇa’s Battlefield Assessment and the Reversal Around Bhīma
पलाण्डुगंडूषयुतान् खादन्ती चैडकान् बहून् । “मैं वस्त्राभूषणोंसे विभूषित हो गोमांस खाकर और गुड़की बनी हुई मदिरा पीकर तृप्त हो अंजलि भर प्याजके साथ बहुत-सी भेड़ोंको खाती हुई गोरे रंगकी लंबी युवती स्त्रियोंके साथ मिलकर इस शाकल नगरमें पुन: कब इस तरहकी बाहीकसम्बन्धी गाथाओंका गान करूँगी
palāṇḍu-gaṇḍūṣa-yutān khādantī ca eḍakān bahūn |
Karna falou num tom de sátira mordaz, evocando os prazeres grosseiros e os hábitos alimentares que (na retórica polémica do épico) se associam à região de Bāhlīka/Śākala. Ele imagina uma cena de indulgência: adornado com vestes e ornamentos, comendo carne de boi, bebendo licor fermentado com jaggery, e levando à boca punhados de cebola enquanto devora muitas ovelhas, em meio a jovens mulheres altas e de pele clara; e pergunta quando, na cidade de Śākala, voltará a cantar assim tais “canções relativas aos Bāhlīkas”.
कर्ण उवाच
The verse uses satirical exaggeration to mark certain indulgent habits as ethically and culturally “low,” reinforcing a war-time rhetoric of honor and self-restraint. It shows how the epic sometimes encodes moral judgment through depictions of diet, drink, and pleasure.
Karna is speaking and mockingly evokes a scene in Śākala associated with Bāhlīka customs—adornment, meat and liquor, onions, and feasting—framing it as a kind of ballad or refrain he might sing again. The tone is derisive, aimed at characterizing a region/people through caricature.