Shloka 55

कृतस्वस्त्ययना: सर्वे संस्तूयन्तश्न वन्दिभि: । गीतवादित्रशब्देन व्यक्रीडन्त यशस्विन:

sañjaya uvāca | kṛtasvastyayanāḥ sarve saṃstūyantaś ca vandibhiḥ | gītavāditraśabdena vyakrīḍanta yaśasvinaḥ ||

Sañjaya disse: Depois que, para todos, foram devidamente realizados os ritos auspiciosos e as bênçãos, e enquanto os bardos entoavam seus louvores, aqueles guerreiros afamados entregaram-se ao recreio entre o som dos cantos e dos instrumentos. A cena ressalta um ritmo marcante do acampamento em guerra: mesmo às vésperas da violência, os campos retornam à ordem ritual, à honra pública e ao prazer contido segundo o dharma.

कृतस्वस्त्ययनाःhaving performed the auspicious rites (svastyayana)
कृतस्वस्त्ययनाः:
Karta
TypeAdjective
Rootकृत-स्वस्त्ययन
FormMasculine, Nominative, Plural
सर्वेall
सर्वे:
Karta
TypeAdjective
Rootसर्व
FormMasculine, Nominative, Plural
संस्तूयन्तःbeing praised / being eulogized
संस्तूयन्तः:
Karta
TypeVerb
Rootसम्-स्तु
FormMasculine, Nominative, Plural, Present active participle (शतृ)
and
:
TypeIndeclinable
Root
वन्दिभिःby bards/panegyrists
वन्दिभिः:
Karana
TypeNoun
Rootवन्दिन्
FormMasculine, Instrumental, Plural
गीतवादित्रशब्देनwith the sound of songs and musical instruments
गीतवादित्रशब्देन:
Karana
TypeNoun
Rootगीत-वादित्र-शब्द
FormMasculine, Instrumental, Singular
व्यक्रीडन्तthey sported / they amused themselves
व्यक्रीडन्त:
TypeVerb
Rootवि-क्रीड्
FormImperfect (लङ्), Third, Plural, Parasmaipada
यशस्विनःglorious, renowned
यशस्विनः:
Karta
TypeAdjective
Rootयशस्विन्
FormMasculine, Nominative, Plural

संजय उवाच

S
Sanjaya
B
bards (vandins)
S
songs (gīta)
M
musical instruments (vāditra)

Educational Q&A

The verse highlights how dharmic order in a warrior society is maintained through ritual protection (svastyayana) and public recognition (praise by bards), even amid war. It suggests that morale, legitimacy, and social cohesion are reinforced by auspicious rites and honor-culture before returning to battle.

After arrangements for safety and well-being are completed, the warriors are blessed with auspicious recitations and then praised by bards. Surrounded by singing and instrumental music, they engage in leisure and entertainment in the camp, marking a brief interlude between phases of fighting.