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Shloka 54

Śiva-stavarāja: Upamanyu’s Preface and Initiation of the Śarva-Nāma Enumeration

Anuśāsana-parva 17

न्यग्रोधरूपो न्यग्रोधो वृक्षकर्णस्थितिर्वि भु: । सुतीक्ष्णदशनश्वैव महाकायो महानन:

nyagrodharūpo nyagrodho vṛkṣakarṇasthitir vibhuḥ | sutīkṣṇadaśanaś caiva mahākāyo mahānanaḥ ||

Vāyu-deva disse: “Ele se manifesta na forma da figueira-de-bengala (baniã); habita junto ao baniã; permanece sobre a folha do baniã; é o Senhor onipresente. Tem dentes extremamente afiados; é de corpo vasto e de boca imensa.”

न्यग्रोधरूपःhaving the form of a banyan tree
न्यग्रोधरूपः:
Karta
TypeAdjective
Rootन्यग्रोध-रूप
FormMasculine, Nominative, Singular
न्यग्रोधःthe banyan (Nyagrodha)
न्यग्रोधः:
Karta
TypeNoun
Rootन्यग्रोध
FormMasculine, Nominative, Singular
वृक्षकर्णस्थितिःthe one abiding on a tree-leaf (Vṛkṣakarṇa-śayana form)
वृक्षकर्णस्थितिः:
Karta
TypeNoun
Rootवृक्ष-कर्ण-स्थिति
FormFeminine, Nominative, Singular
विभुःthe all-pervading/lordly one
विभुः:
Karta
TypeNoun
Rootविभु
FormMasculine, Nominative, Singular
सुतीक्ष्णदशनःhaving very sharp teeth
सुतीक्ष्णदशनः:
Karta
TypeAdjective
Rootसु-तीक्ष्ण-दशन
FormMasculine, Nominative, Singular
and
:
TypeIndeclinable
Root
एवindeed/also
एव:
TypeIndeclinable
Rootएव
महाकायःof huge body
महाकायः:
Karta
TypeAdjective
Rootमहा-काय
FormMasculine, Nominative, Singular
महाननःof great/large face (mouth)
महाननः:
Karta
TypeAdjective
Rootमहा-आनन
FormMasculine, Nominative, Singular

वायुदेव उवाच

V
Vāyu (Vāyudeva)
N
Nyagrodha (banyan tree)

Educational Q&A

The verse emphasizes the Lord’s vibhutva—his capacity to pervade and appear in diverse forms. By describing him as banyan-formed, banyan-associated, and resting on a banyan leaf, it points to divine immanence in nature and mythic symbols, encouraging reverence and ethical orientation (dharma) grounded in recognizing the sacred beyond a single fixed form.

Vāyu-deva is describing a formidable, awe-inspiring divine being through a sequence of epithets: his association with the banyan and his immense, fearsome physical traits (sharp teeth, huge body, vast mouth). The description functions as identification through characteristic marks, aligning with traditional imagery (notably the child-form resting on a banyan leaf) while also conveying cosmic grandeur.