अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
विटपनिचयलीनं नीलकण्ठाभिरामं मदमुदितविहङ्गं प्राप्तनादाभिरामम् कुसुमिततरुशाखालीनमत्तद्विरेफं नवकिसलयशोभाशोभितं प्रांशुशाखम्
viṭapanicayalīnaṃ nīlakaṇṭhābhirāmaṃ madamuditavihaṅgaṃ prāptanādābhirāmam kusumitataruśākhālīnamattadvirephaṃ navakisalayaśobhāśobhitaṃ prāṃśuśākham
O bosque estava envolto por agrupamentos de árvores, encantador pela presença do Senhor de Garganta Azul (Nīlakaṇṭha), Śiva. As aves, exultantes, enchiam-no de cantos melodiosos. Nos ramos floridos, abelhas inebriadas se prendiam zumbindo; e as altas ramagens brilhavam, embelezadas pelo esplendor dos brotos tenros recém-surgidos—um arvoredo auspicioso, digno do culto ao Pati, o Senhor que afrouxa o pāśa (laço) do paśu (alma).
Suta Goswami
The verse sacralizes the setting of worship: the grove’s auspicious sounds, blossoms, and bees signify a purified kṣetra where the pashu approaches Pati through devotion, making the environment itself supportive of liṅga-arcana.
By invoking Nīlakaṇṭha, it points to Shiva’s compassionate mastery over poison and suffering—Pati who remains untouched yet protects beings—whose presence transforms the world into a harmonious field of consciousness.
It implies kṣetra-śuddhi and manas-śuddhi: preparing a pure place and a collected mind through Shiva-smarana and attentive listening (nāda), which aligns with Pāśupata orientation toward inner stillness and devotion.