Origins of the Maruts — Origins of the Maruts Across the Manvantaras (Pulastya–Narada Dialogue)
शुक्रोत्सर्गावसाने तु नृपतिर्भार्यया सह जगाम दिव्यया गत्या ब्रह्मलोकं तपोधन 46.14 तदम्बरात् प्रचलितमभ्रवर्णं शुक्रं समाना नलिनी वपुष्मती चित्रा विशाला हरितालिनी च सप्तर्षिपत्न्यो ददृशुर्यथेच्छया
śukrotsargāvasāne tu nṛpatirbhāryayā saha jagāma divyayā gatyā brahmalokaṃ tapodhana 46.14 tadambarāt pracalitamabhravarṇaṃ śukraṃ samānā nalinī vapuṣmatī citrā viśālā haritālinī ca saptarṣipatnyo dadṛśuryathecchayā
ਹੇ ਤਪੋਧਨ! ਸ਼ੁਕਰ-ਉਤਸਰਗ ਪੂਰਾ ਹੋਣ ਤੇ ਰਾਜਾ ਆਪਣੀ ਪਤਨੀ ਸਮੇਤ ਦਿਵ੍ਯ ਗਤੀ ਨਾਲ ਬ੍ਰਹਮਲੋਕ ਨੂੰ ਗਿਆ। ਫਿਰ ਆਕਾਸ਼ ਤੋਂ ਚਲਿਆ ਹੋਇਆ, ਬੱਦਲ-ਰੰਗਾ ਸ਼ੁਕਰ ਸਪਤ ਰਿਸ਼ੀਆਂ ਦੀਆਂ ਪਤਨੀਆਂ—ਸਮਾਨਾ, ਨਲਿਨੀ, ਵਪੁਸ਼ਮਤੀ, ਚਿਤ੍ਰਾ, ਵਿਸ਼ਾਲਾ ਅਤੇ ਹਰਿਤਾਲਿਨੀ—ਨੇ ਆਪਣੀ ਇੱਛਾ ਅਨੁਸਾਰ ਵੇਖਿਆ।
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They are the wives of the Seven Sages (Saptarṣis), a recurring cosmic group in Purāṇic literature. This passage uniquely foregrounds several named wives (Samānā, Nalinī, Vapuṣmatī, Citrā, Viśālā, Haritālinī) as witnesses to the cloud-colored śukra descending from the sky.
Brahmaloka functions as a cosmological destination that elevates the episode from a merely royal/earthly event to a trans-world narrative. The king’s ‘divyā gati’ and arrival in Brahmā’s realm marks the act as having cosmic consequences, preparing for aetiological developments involving celestial beings.
Only cosmography: ‘Brahmaloka’ and the non-terrestrial ‘ambara.’ No terrestrial rivers, lakes, forests, or named tīrthas appear in the provided text, so this unit is better classified as cosmological-itihasa rather than tīrtha-māhātmya.