Shloka 60

शल्यपर्व — चतुर्विंशोऽध्यायः | Śalya Parva, Chapter 24: Disruption of Kaurava Formations and the Elephant Encirclement

Devanagari script

सर्वमासीज्जगत्‌ पूर्ण पार्थनामाड्कितै: शरै: । रुक्मपुड्खैस्तैलधौतै: कर्मारपरिमार्जिति:,अर्जुनके नामसे अंकित, तेलके धोये और कारीगरके साफ किये सुवर्णमय पंखवाले बाणोंद्वारा वहाँका सारा जगत्‌ व्याप्त हो रथा था

Transliteration

sarvam āsīj jagat pūrṇaṃ pārthanāmāṅkitaiḥ śaraiḥ | rukmapuṅkhais tailadhautaiḥ karmāraparimārjitaiḥ ||

Translation

ସଞ୍ଜୟ କହିଲେ—ସେଠାରେ ପାର୍ଥଙ୍କ ନାମାଙ୍କିତ, ତେଲରେ ଧୋଇଥିବା ଓ କର୍ମାର ଦ୍ୱାରା ମସୃଣ କରାଯାଇଥିବା, ସୁବର୍ଣ୍ଣ ପୁଛଯୁକ୍ତ ବାଣମାନେ ଦ୍ୱାରା ସମଗ୍ର ଜଗତ୍ ପୂର୍ଣ୍ଣ ହୋଇଥିବା ପରି ଲାଗୁଥିଲା।

Word by Word

• सर्वम्: all, the whole (as a whole)
• सर्वम्: Karta
• Type: Adjective
• Root: सर्व
• Form: Neuter, Nominative, Singular

• आसीत्: was
• Type: Verb
• Root: अस्
• Form: Imperfect, 3, Singular

• जगत्: world
• जगत्: Karta
• Type: Noun
• Root: जगत्
• Form: Neuter, Nominative, Singular

• पूर्णम्: filled, full
• Type: Adjective
• Root: पूर्ण
• Form: Neuter, Nominative, Singular

• पार्थनामाङ्कितैः: marked with the name of Partha (Arjuna)
• पार्थनामाङ्कितैः: Karana
• Type: Adjective
• Root: पार्थ-नाम-अङ्कित
• Form: Masculine/Neuter, Instrumental, Plural

• शरैः: by arrows
• शरैः: Karana
• Type: Noun
• Root: शर
• Form: Masculine, Instrumental, Plural

• रुक्मपुङ्खैः: having golden feathers (fletching)
• रुक्मपुङ्खैः: Karana
• Type: Adjective
• Root: रुक्म-पुङ्ख
• Form: Masculine/Neuter, Instrumental, Plural

• तैलधौतैः: washed/cleansed with oil
• तैलधौतैः: Karana
• Type: Adjective
• Root: तैल-धौत
• Form: Masculine/Neuter, Instrumental, Plural

• कर्मारपरिमार्जितैः: polished by smiths/artisans
• कर्मारपरिमार्जितैः: Karana
• Type: Adjective
• Root: कर्मार-परिमार्जित
• Form: Masculine/Neuter, Instrumental, Plural

Speaker

संजय उवाच

Characters & Entities

• Sañjaya
• Pārtha (Arjuna)
• arrows (śara)
• smith (karmāra)
• golden fletching (rukmapuṅkha)

Educational Q&A

What is the core teaching?

The verse highlights how concentrated skill and preparation—symbolized by expertly crafted, polished, name-marked arrows—can make one’s action pervade an entire situation; ethically, it also hints at war’s totalizing nature, where prowess can overwhelm the world of those caught within it.

What is happening in the narrative?

Sañjaya describes the battlefield as being completely covered by Arjuna’s arrows, distinguished by golden fletching, oil-cleaning, and smith-polishing, emphasizing the intensity and dominance of Arjuna’s archery at that moment.