Vamana Purana — Merit of Shravana Dvadashi, Shloka 20

The Merit of Śravaṇa-Dvādaśī and the Liberation of a Preta through Gayā Piṇḍa-Rites

Devanagari script

ते धुन्धुवाक्यं तु निशम्य दैत्याः प्रोचुर्न नो विद्यति लोकपाल गतिर्यया याम पितामहाजिरं सुदुर्गमो ऽयं परतो हि मार्गः

Transliteration

te dhundhuvākyaṃ tu niśamya daityāḥ procurna no vidyati lokapāla gatiryayā yāma pitāmahājiraṃ sudurgamo 'yaṃ parato hi mārgaḥ

Translation

{"bhagavata_parallel": "Bhagavata Purana 7.11 (varṇa-dharma defined by qualities and conduct)", "vishnu_purana_parallel": "Vishnu Purana 3.8 (varṇa duties and consequences)", "ramayana_connection": null, "mahabharata_echo": "Mahabharata 3 (stories of fallen brāhmaṇas due to adharma)", "other_puranas": ["Padma Purana (accounts of brāhmaṇas falling through greed)", "Garuda Purana (past-life confessions explaining preta-state)"], "vedic_reference": "Rigveda 10.90 (varṇa schema; later dharma reflection on conduct)"}

Speakers

• Daityas replying to Dhundhu (addressing him as ‘loka-pāla’ in speech)

Primary Deities

• Brahmā

Key Themes

• Limits of Asura power
• Cosmic topography (access to Brahmaloka)
• Thresholds and guarded paths
• Counsel within Daitya ranks

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "bhayanaka", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why do the Daityas claim there is ‘no known route’ to Brahmā’s precinct?

Purāṇic cosmology treats higher worlds as accessible only through specific yogic, meritorious, or divinely sanctioned ‘paths’ (gati). The Daityas’ statement underscores that brute force alone does not guarantee passage into Brahmaloka’s sphere.

Does ‘loka-pāla’ here mean one of the eight Lokapālas?

In this line it functions as an honorific address—‘protector of the world’—to the leader being spoken to (Dhundhu). The term also resonates with the technical class of Lokapālas, but the immediate grammar supports it as direct address.

What is ‘pitāmahājira’ in spatial terms?

Literally ‘the Grandfather’s courtyard/precinct,’ it evokes Brahmā’s court (sabhā) as a bounded, guarded space—an architectural metaphor for a cosmological realm.