Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ततः सुरान् ब्रह्महरीन्द्रमुख्यान् प्रणम्य संपूज्य यथाविभागम् विसर्ज्य भूतैः सहितो महीध्रमध्यावसन्मन्दरमष्टमूर्तिः
tataḥ surān brahmaharīndramukhyān praṇamya saṃpūjya yathāvibhāgam visarjya bhūtaiḥ sahito mahīdhramadhyāvasanmandaramaṣṭamūrtiḥ
ထို့နောက် ဗြဟ္မာ၊ ဟရီ(ဗိဿနု) နှင့် အိန္ဒြာတို့ကို အဓိကထား၍ ဒေဝတားတို့အား ဦးညွတ်ပူဇော်ကာ တစ်ဦးချင်းစီ၏ အခွင့်အရေးအတိုင်း သင့်တော်စွာ ဂုဏ်ပြုလှူဒါန်းပြီးနောက် သူတို့ကို ပြန်လွှတ်လိုက်သည်။ ထို့ပြင် ဘူတများနှင့်အတူ အရှစ်ရုပ်သဏ္ဌာန်ရှိသော သီဝ(ရှီဝ) သည် မန္ဒရာတောင်ပေါ်တွင် နေထိုင်တည်ရာယူ하였다။
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Aṣṭamūrti is Śiva conceived as manifest in eight cosmic forms (a classical Śaiva theological motif). The epithet signals that the narrative is not merely about a local deity on a mountain, but about a cosmic Rudra whose presence pervades the elements and directions.
It indicates honoring each deity according to proper rank and allotted share—i.e., fitting worship, precedence, and offerings. The verse emphasizes order and dharmic propriety even among gods.
Mandara is the explicit sacred-geographical marker. In Purāṇic imagination it is a famed mountain (also known from the churning myth), here functioning as Rudra’s chosen residence after the divine assembly disperses.