Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ते ऽप्याजग्मुर्महावेगात् त्वाक्रम्य मरुदालयम् आसाद्य मन्दरगिरिं भूयो ऽवन्दन्त शङ्करम्
te 'pyājagmurmahāvegāt tvākramya marudālayam āsādya mandaragiriṃ bhūyo 'vandanta śaṅkaram
သူတို့လည်း အလွန်မြန်သောအရှိန်ဖြင့် ထွက်ခွာကာ မရုတ်တို့၏ နေရာဒေသကို ဖြတ်ကျော်ပြီး၊ မန္ဒရတောင်သို့ ရောက်သော် ထပ်မံ၍ ရှင်ကရ (ရှီဝ) ကို ဦးချခဲ့ကြသည်။
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Devotion is shown as continuous rather than one-time: even after travel and transitions, returning to worship (‘bhūyaḥ’) models steadiness (niṣṭhā) and gratitude.
Primarily Vamśānucarita / narrative itinerary—events and movements of characters; secondarily contributes to tīrtha-mahātmya-style texture by naming a sacred mountain.
Crossing ‘Marudālaya’ suggests passage through celestial/elemental domains; reaching Mandara and bowing again indicates the axis-mountain motif where divine presence is re-encountered and reaffirmed through worship.