The Slaying of Raktabīja and Niśumbha–Śumbha; the Manifestation of the Mātṛkās and the Devas’ Hymn
इमां स्तुतिं भक्तिपरा नरोत्तमा भवद्भिरुक्तामनुकीर्त्तयन्ति दुःस्वप्ननाशो भविता न संशयो वरस्तथान्यो व्रियतामभीप्सितः
imāṃ stutiṃ bhaktiparā narottamā bhavadbhiruktāmanukīrttayanti duḥsvapnanāśo bhavitā na saṃśayo varastathānyo vriyatāmabhīpsitaḥ
{"prahlada_mentioned": false, "lineage_reference": null, "bhakta_parampara": null, "hiranyakashipu_context": null, "narasimha_echo": false, "asura_devotee_theme": null}
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Duḥsvapna is treated as a marker of aśubha (inauspiciousness) and psychological/spiritual disturbance. Promising its removal frames the hymn as apotropaic—protective in daily life—linking devotion, ritual speech, and well-being.
Although the immediate audience includes devas/ṛṣis, the wording broadens the scope to exemplary human devotees as future reciters. Purāṇic phalaśrutis commonly universalize the benefit beyond the original scene.
It indicates an open-ended varadāna: beyond the specific fruit (duḥsvapna-nāśa), the devotee may request an additional desired boon, consistent with the Goddess’s role as a responsive grantor to sincere bhakti and stuti.