Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
पुत्रजीवांशुका भृङ्गरोमराजिविराजिता वसन्तलक्ष्मीः संप्राप्ता ब3ह्मन् बदरिकाश्रमे
putrajīvāṃśukā bhṛṅgaromarājivirājitā vasantalakṣmīḥ saṃprāptā ba3hman badarikāśrame
ပုတြဇီဝပန်းကဲ့သို့ အဝတ်အစားဝတ်ဆင်ထားသကဲ့သို့ ဖြစ်၍၊ အနက်ရောင် ပျားတန်းများဖြင့် တောက်ပလှပနေသည်။ အို ဗြာဟ္မဏ၊ နွေဦး၏ အလှ (ဝသန္တ-လက္ရှ္မီ) သည် ဘဒရိကာ အာရှရမ်သို့ ရောက်လာခဲ့သည်။
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Prosperity (Lakṣmī) is portrayed as naturally attending a place of dharma and tapas: the ethical suggestion is that inner discipline and sacred living ‘invite’ auspiciousness—symbolized externally by spring’s fullness.
Ancillary tīrtha/āśrama glorification (māhātmya) rather than the five primary lakṣaṇas; it supports dharma and pilgrimage practice by establishing the site’s sanctity and attractiveness.
‘Vasanta-Lakṣmī’ merges seasonality with divinity: spring is not merely weather but a theophany of auspicious power; bees and blossoms become the ‘ornaments’ of a sacred realm, implying that nature participates in worship.