Shloka 66

वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)

Devanagari script

मन्त्रवित्परमो मन्त्रः सर्वभावकरो हरः कमण्डलुधरो धन्वी बाणहस्तः कपालवान्

Transliteration

mantravitparamo mantraḥ sarvabhāvakaro haraḥ kamaṇḍaludharo dhanvī bāṇahastaḥ kapālavān

Translation

ရှီဝသည် မန်တရားကို သိမြင်သူလည်း ဖြစ်၍ အမြင့်ဆုံး မန်တရားကိုယ်တိုင်လည်း ဖြစ်သည်; ဟရ—အခြေအနေရှိသမျှကို ပေါ်ထွန်းစေသော အရှင်။ တပသီ၏ ရေခွက် (ကမဏ္ဍလု) ကို ဆောင်ထားပြီး၊ မြားပစ်သမားလည်း ဖြစ်၍ လေးနှင့် မြားကို ကိုင်ဆောင်သည်; သို့ရာတွင် အမြဲတမ်း ခေါင်းခွံကို ဆောင်သူ၊ ပာရှု (ဝိညာဉ်) အတွက် ချည်နှောင်မှုကို ပျော်ကွယ်စေသော အရှင်တော်။

Word by Word

• मन्त्रवित् (mantravit): knower of mantras

• परमो (paramo): supreme

• मन्त्रः (mantraḥ): the Mantra / sacred formula (itself)

• सर्वभावकरः (sarvabhāvakaraḥ): maker/producer of all bhāvas (states, conditions, beings)

• हरः (haraḥ): Hara, the remover (of pāśa/bondage and sorrow)

• कमण्डलुधरः (kamaṇḍaludharaḥ): bearer of the kamaṇḍalu (ascetic water-pot)

• धन्वी (dhanvī): wielder of the bow / archer

• बाणहस्तः (bāṇahastaḥ): having the arrow in hand

• कपालवान् (kapālavān): skull-bearer (Kapālī), emblem of transcendence over death and impurity

Speaker

Suta Goswami (narrating to the sages of Naimisharanya, within a stuti/nama-style passage)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Shiva as both the mantra-knowledge (mantravit) and the very Mantra (paramo mantraḥ), implying that Linga-puja is effective when the worshipper unites sound (mantra) with form (Linga) to approach Pati, the Lord.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva-tattva is shown as transcendent and immanent: he manifests all bhāvas (sarvabhāvakara) while also dissolving limitation as Hara; his kamaṇḍalu and kapāla signify renunciation beyond impurity and death, while bow and arrow signify sovereign power over the cosmos.

What ritualistic or Yogic practice is highlighted here?

Mantra-sādhana integrated with Shaiva discipline: the verse points to mantra-upāsanā in Linga-puja, supported by ascetic restraint (kamaṇḍalu symbolism) and Pashupata intent—seeking release of the pashu from pāśa through devotion to Pati.