Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
तत्त्वं शिवासने मूर्तिर्हे हौं विद्यादेहाय नमः / बद्धपद्मासनासीनः सितः षोडशवार्षिकः
tattvaṃ śivāsane mūrtirhe hauṃ vidyādehāya namaḥ / baddhapadmāsanāsīnaḥ sitaḥ ṣoḍaśavārṣikaḥ
တတ္တဝ (အမှန်တရား) သည် ရှိဝအာသနပေါ်၌ မူရတိအဖြစ် တည်ရှိသည်။ ‘ဟေ ဟೌṁ’ ဟု မန္တရကို ဆို၍—ဝိဒျာဒေဟ (မန္တရဉာဏ်၏ ကိုယ်) သို့ နမಸ್ಕာရ ပြုရမည်။ သူသည် ဘద్ధပဒ္မာသန (ချည်နှောင်ကြာထိုင်) ဖြင့် ထိုင်နေ၍ အဖြူရောင်အလင်းရှိကာ ဆယ့်ခြောက်နှစ်အရွယ်ကဲ့သို့ ထင်ရှားသည်။
Lord Vishnu (teaching Garuda/Vinatā-putra)
Concept: Tattva is realized through mantra-embodiment (vidyā-deha) and steady posture (padmāsana), with purity (whiteness) and ever-fresh awareness (sixteen-year youth).
Vedantic Theme: Śuddha-sattva and nitya-nava (ever-new) consciousness; form as support for formless realization.
Application: Combine japa of the bīja with posture and visualization; treat mantra as living presence, cultivating steadiness and purity of mind.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: inner altar/āsana in visualization
Related Themes: Garuda Purana 1.23 (mantra/āsana/dhyāna progression into fuller iconography)
This verse frames the deity as a ‘body of vidyā’—a meditative form constituted of mantra and knowledge—emphasizing upāsanā through mantra-recitation and visualization.
Indirectly, by teaching inner contemplation of tattva (ultimate reality) via a purified, youthful, luminous deity-form—an inward discipline that supports liberation-oriented understanding.
Use the verse as a dhyāna cue: recite the mantra-syllables with reverence, visualize a calm, radiant form in steady posture, and contemplate ‘tattva’ as the goal beyond mere ritual.