नग्न-परिभाषा तथा देव-स्तोत्रपूर्वक मायामोह-उत्पत्ति
Defining ‘Nagna’ and the Devas’ Hymn Leading to Māyāmoha
नातिज्ञानवहा यस्मिन् नाड्यः स्तिमिततेजसि शब्दादिलोभि यत् तस्मै तुभ्यं यक्षात्मने नमः
nātijñānavahā yasmin nāḍyaḥ stimitatejasi śabdādilobhi yat tasmai tubhyaṃ yakṣātmane namaḥ
Salam sujud kepada-Mu dalam wujud bersifat Yakṣa: di dalamnya nāḍī tidak membawa pengetahuan berlebihan; cahaya batin menjadi tenang; dan dorongan indera yang rakus pada bunyi dan lainnya ditahan lalu berpaling kembali.
Sage Parāśara (continuing a descriptive praise while instructing Maitreya)
This verse links spiritual sovereignty to inner discipline: the Supreme is praised as the One in whom cognition is not over-agitated, inner radiance is steady, and the senses’ craving for objects like sound is checked—an implicit yogic ideal within the Purana’s cosmological teaching.
Through praise rather than technique: Parāśara depicts the divine principle as the ground of steadiness—where nāḍīs are not overrun by mental flux and sense-greed is restrained—suggesting that true mastery arises from alignment with the Supreme order.
The Lord is presented as the governing reality behind both cosmic order and inner order—able to still inner luminosity and rein in the senses—supporting a Vaishnava view of the Supreme as the controller (niyantṛ) of all faculties.