Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
अपश्यंस्तीर्थसलिले स्नायमानान् नरोत्तमान् ततश्चित्राङ्गदा दृष्ट्वा जटामण्डलधारिणम्/ सुरथं हसती प्राह संरोहत्पुलका सखीम्
apaśyaṃstīrthasalile snāyamānān narottamān tataścitrāṅgadā dṛṣṭvā jaṭāmaṇḍaladhāriṇam/ surathaṃ hasatī prāha saṃrohatpulakā sakhīm
Mereka melihat para lelaki utama sedang mandi dalam air tīrtha yang suci. Lalu Citrāṅgadā, apabila melihat Suratha—yang memakai lingkaran rambut jaṭā yang bergumpal—tersenyum lalu berkata kepada sahabatnya, tubuhnya meremang kerana teruja.
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
In Purāṇic geography, the defining act of a tīrtha is snāna. Mentioning ‘tīrtha-salila’ signals that the scene is anchored in a sanctified hydroscape where merit (puṇya) is accessed through contact with the water.
It marks Suratha as adopting ascetic appearance—matted locks arranged like a ‘maṇḍala’ (a circular crown/halo). This can indicate a vow (vrata), penance (tapas), or affiliation with Śaiva/ṛṣi culture typical of tīrtha environments.
Pulaka is a conventional sign of sudden emotional surge—recognition, love, awe, or devotional intensity. Here it foreshadows that Suratha is not a random ascetic but someone tied to her prior life-story or relationship, prompting the next explanatory speech.