The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa
भविष्यन्नरकघ्नाय नमः कंसविघातिने अरिष्टकेशिचणूरदेवारिक्षयिणे नमः
bhaviṣyannarakaghnāya namaḥ kaṃsavighātine ariṣṭakeśicaṇūradevārikṣayiṇe namaḥ
{"has_teaching": true, "teaching_type": "dharma", "core_concept": "Tīrtha-yātrā aVamana Purana,59,102,VamP 59.102,ko 'nyo balervañcayitā tvāmṛte vai bhaviṣyati ko 'nyo nāśayati balād darpaṃ haihayabhūpateḥ,को ऽन्यो बलेर्वञ्चयिता त्वामृते वै भविष्यति को ऽन्यो नाशयति बलाद् दर्पं हैहयभूपतेः,Vamana–Bali Narrative (Avatāra-stuti within the Bali episode),Stuti (rhetorical praise of Viṣṇu’s unique avatāra-acts),Adhyāya 59 (Bali-episode; avatāra-kṛtya-stuti),102,ko 'nyo balervañcayitā tvāmṛte vai bhaviṣyati ko 'nyo nāśayati balād darpaṃ haihayabhūpateḥ,ko ’nyo baler vañcayitā tvāmṛte vai bhaviṣyati | ko ’nyo nāśayati balād darpaṃ haihaya-bhūpateḥ ||,“Who else
{ "primaryRasa": "vira", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
It reflects a compositional stance where the stuti enumerates deeds across time: some already accomplished (Kaṃsa, Keśin, Cāṇūra), and some foretold/inevitable within the avatāra’s career (Narakāsura). This is a common Purāṇic way to present the Lord as transcending linear time.
Such lists function as smṛti-aṅga (aids to remembrance): recalling the Lord’s dharma-restoring acts is itself meritorious and is often paired with tīrtha bathing/recitation to intensify purification and protection.
Yes. It universalizes the avatāra’s function: not only particular slayings, but the ongoing principle that the Lord removes forces hostile to divine order (ṛta/dharma), thereby safeguarding the world.