The Second Sin-Destroying Hymn (Pāpaśamana Stava) and the Syncretic Praise of Hari-Hara
स्रुक्स्रुवौ परधामासि कपालोलूखलो ऽरणिः यज्ञपात्राणेयस्त्वमेकधा बहुधा त्रिधा
sruksruvau paradhāmāsi kapālolūkhalo 'raṇiḥ yajñapātrāṇeyastvamekadhā bahudhā tridhā
and knowledge itself; you are the object of meditation and the meditator as well
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The list intentionally spans orthodox Vedic yajña and ascetic/Śaiva ritual symbolism. By identifying the Lord with both, the text asserts that the sacred is not confined to one ritual idiom; all legitimate sacrificial and transformative acts are grounded in the same Īśvara.
At minimum it states a metaphysical principle: the deity is one reality appearing as many forms. ‘Threefold’ commonly evokes Purāṇic/Vedic triads (e.g., three sacred fires, three Vedas, or three guṇas). The verse leaves the triad open, allowing multiple orthodox readings while preserving the core claim of unity.
In tirtha-mahātmya chapters, hymns often universalize the pilgrimage act: the merit of a place is tied to recognizing the Lord as present in the very structure of worship (yajña). The stuti supplies the theological lens through which the geography becomes spiritually efficacious.