HomeVamana PuranaAdh. 60Shloka 39
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Vamana Purana — Sin-Destroying Hymn (Part 1), Shloka 39

The Second Sin-Destroying Hymn (Pāpaśamana Stava) and the Syncretic Praise of Hari-Hara

स्रुक्स्रुवौ परधामासि कपालोलूखलो ऽरणिः यज्ञपात्राणेयस्त्वमेकधा बहुधा त्रिधा

sruksruvau paradhāmāsi kapālolūkhalo 'raṇiḥ yajñapātrāṇeyastvamekadhā bahudhā tridhā

and knowledge itself; you are the object of meditation and the meditator as well

A devotee/narrator voice continuing the stuti within Adhyaya 60’s tirtha-oriented discourse
VishnuShivaAgni
Yajña as cosmic principleRitual implements as divine body (adhyātma-yajña reading)Shaiva–Vaishnava convergence (kapāla alongside Vedic ladles)Unity-in-diversity (one/many/threefold)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The list intentionally spans orthodox Vedic yajña and ascetic/Śaiva ritual symbolism. By identifying the Lord with both, the text asserts that the sacred is not confined to one ritual idiom; all legitimate sacrificial and transformative acts are grounded in the same Īśvara.

At minimum it states a metaphysical principle: the deity is one reality appearing as many forms. ‘Threefold’ commonly evokes Purāṇic/Vedic triads (e.g., three sacred fires, three Vedas, or three guṇas). The verse leaves the triad open, allowing multiple orthodox readings while preserving the core claim of unity.

In tirtha-mahātmya chapters, hymns often universalize the pilgrimage act: the merit of a place is tied to recognizing the Lord as present in the very structure of worship (yajña). The stuti supplies the theological lens through which the geography becomes spiritually efficacious.