HomeVamana PuranaAdh. 41Shloka 50
Previous Verse
Next Verse

Vamana Purana — Harihara Non-Duality, Shloka 50

Harihara Non-Duality and the Revelation of Sadasiva to the Ganas

ततो ऽभवच्चैकरूपी शङ्करो बहुरूपवान् द्विरूपश्चाभवद् योगी एकरूपो ऽप्यरूपवान् क्षणाच्छ्वेतः क्षणाद् रक्तः पीतो नीलः क्षणादपि

tato 'bhavaccaikarūpī śaṅkaro bahurūpavān dvirūpaścābhavad yogī ekarūpo 'pyarūpavān kṣaṇācchvetaḥ kṣaṇād raktaḥ pīto nīlaḥ kṣaṇādapi

Kemudian Śaṅkara—walaupun satu pada hakikatnya—menjadi memiliki banyak rupa. Sang Yogin menjadi berwujud dua; walaupun berwujud satu, baginda juga menjadi tanpa rupa. Dalam sekelip mata baginda menjadi putih; sekelip mata menjadi merah; sekelip mata menjadi kuning; dan sekelip mata lagi menjadi biru.

Narrator/ṛṣi (contextual purāṇic narration) describing Śiva’s manifestation to the assembled gaṇas (Śaiva hosts)
Śiva (Śaṅkara)
Divine theophany (many forms)Paradox of form and formlessnessŚiva’s yogic mastery (yoga-śakti)Color symbolism in deity-manifestation

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Purāṇic theology often distinguishes essence (tattva) from manifestation (rūpa). Śiva is ‘one’ in essence (eka), ‘formless’ as the transcendent absolute (arūpa), yet freely assumes multiple perceptible forms (bahurūpa) through yogic power (yoga-śakti).

Color-shifts are a conventional marker of a theophany—an overwhelming, supra-normal display of divine power. They can also hint at multiple functional aspects (peaceful, fierce, radiant, mysterious), without requiring a single fixed iconographic mapping in this passage.

Not in this śloka. It is primarily a narrative-theological description; geographic cataloging appears elsewhere in the text, but this verse itself names no place.