Vamana Purana — Harihara Non-Duality, Shloka 13

Harihara Non-Duality and the Revelation of Sadasiva to the Ganas

Devanagari script

खट्वाङ्गयोधिनो वीरा रक्तचर्मसमावृताः इमे प्राप्ता गणा योद्धुं महाव्रतिन उत्तमाः

Transliteration

khaṭvāṅgayodhino vīrā raktacarmasamāvṛtāḥ ime prāptā gaṇā yoddhuṃ mahāvratina uttamāḥ

Translation

Gaṇa-gaṇa yang gagah, bertempur dengan khaṭvāṅga (tongkat-gada), berselubung kulit merah—mereka ini, para pengamal mahāvrata yang unggul, telah tiba untuk berperang.

Speakers

• Narrator/reciter describing the battle-ready gaṇas (addressed implicitly to Śiva’s cause)

Primary Deities

• Shiva

Key Themes

• Ascetic vows as spiritual power (mahāvrata)
• Cremation-ground symbolism (khaṭvāṅga, hides)
• Militant devotion
• Andhaka-vadha cycle

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "vira", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

What is the significance of the khaṭvāṅga in Śaiva imagery?

The khaṭvāṅga is a liminal weapon-staff linked to ascetic and cremation-ground symbolism. In Purāṇic battle scenes it marks the gaṇas as tapas-endowed warriors whose power is not merely physical but also ritual-ascetic.

Why are the gaṇas described as wearing ‘red hides’?

Animal hides are a common Śaiva ascetic marker, evoking wilderness/cremation-ground life and fearlessness. ‘Red’ intensifies the raudra aesthetic—suggesting blood, ferocity, and battle-readiness—while also distinguishing this troop visually within the larger host.

How does ‘mahā-vrata’ function in the narrative?

It frames the gaṇas’ martial capacity as grounded in vow and discipline (vrata), a recurring Purāṇic idea: ascetic observance generates potency (tejas) that can be deployed in cosmic conflicts such as the Andhaka episode.