Shloka 17
शारभावतारवर्णनम्
Account of Śiva’s Śārabha Manifestation and the Measureless Avatāras
सभास्तम्भात्तदा विष्णुरभूदाविर्द्रुतम्मुने । सन्ध्यायां क्रोधमापन्नो नृसिंहवपुषा ततः
sabhāstambhāttadā viṣṇurabhūdāvirdrutammune | sandhyāyāṃ krodhamāpanno nṛsiṃhavapuṣā tataḥ
Wahai resi, ketika itu Viṣṇu segera menzahirkan diri dari tiang di balairung perhimpunan pada waktu senja; dengan murka, lalu mengambil rupa Narasiṃha.
Suta Goswami
Tattva Level: pati
Shiva Form: Bhairava
Sthala Purana: Not a Jyotirliṅga; the ‘pillar’ epiphany functions as a theophany motif akin to liṅga-as-axis (stambha) imagery—divinity erupting from the cosmic support.
Type: stotra
Role: destructive
Cosmic Event: Sandhyā (liminal time) emphasized as the moment of manifestation, matching the avatāra’s ‘neither day nor night’ logic.
FAQs
The verse highlights swift divine intervention to protect dharma: the Lord can assume a tangible (saguṇa) form at the decisive moment (sandhyā) to uphold truth and safeguard devotees, while ultimate sovereignty remains aligned with the Purāṇic vision of the Supreme (Pati) governing all manifestations.
Though the verse names Viṣṇu as Narasiṃha, it reinforces a key Purāṇic principle also central to Śaiva practice: the Absolute is approached through manifest forms for the devotee’s protection and grace. In Śaiva Siddhānta, such saguṇa appearances support devotion and dharma, while worship of the Liṅga points to the same Reality beyond form (nirguṇa) revealed through a sacred symbol.
The mention of sandhyā (twilight) points to sandhyā-upāsanā: using the liminal time for japa and remembrance. A Śaiva takeaway is to perform Panchākṣarī japa (“Om Namaḥ Śivāya”) at dawn/dusk with inner steadiness, as these times are traditionally praised for concentrated worship.