Mantra 5
Viṣṇu’s cosmic stride (trivikrama) as the paradigm of world-order and protection, adapted to Sāman praise within Soma worship
तद्विप्रासो विपन्युवो जागृवांसः समिन्धते विष्णोर्यत्परमं पदम्
tadviprāso vipanyuvo jāgṛvāṃsaḥ samindhate viṣṇoryatparamaṃ padam
tád(1) viprā́so(2) vipányuvo(2) jā́gṛvāṃsaḥ(2) sám(2) indhate(2) viṣṇór(2) yát(2) paramáṃ(2) padám(2)
Itu (kedudukan) para vipra—yang terilham, yang bersuka pada pujian, yang berjaga—menyalakannya dan menzahirkannya dengan nyanyian; itulah kedudukan tertinggi Viṣṇu.
tat | viprāsaḥ | vipanyuvaḥ | jāgṛvāṃsaḥ | sam-indhate | viṣṇoḥ | yat | paramam | padam
Unknown/unspecified (requires gāna mapping for UA 4.8.2.05.05)
{ "prastava": null, "udgitha": null, "pratihara": null, "upadrava": null, "nidhana": null, "structure_notes": "In Kauthuma sāman practice, the triṣṭubh verse is distributed across the fivefold structure with stobha-based elongations; climactic semantic units (‘paramaṃ padam’) are typically placed toward udgītha/upadrava for maximal sonic disclosure.", "singer_assignments": "Prastotṛ begins (prastāva), Udgātṛ carries udgītha and upadrava, Pratihartṛ answers (pratihāra), all conclude in nidhana—standard udgātṛ-gaṇa deployment." }
{ "gloss_summary": "Sāyaṇa explains that the vigilant priests, delighting in praise, ‘kindle’ or make manifest the supreme station of Viṣṇu through stuti (praise) and yajña-krama (ritual sequence).", "ritual_interpretation": "The mantra legitimizes the udgātṛ’s act: song is not ornament but a ritual instrument that reveals the deity’s highest locus, ensuring the rite’s success.", "theological_insight": "Viṣṇu’s ‘paramaṃ padam’ is the ultimate support—known through revelation and maintained by vigilant, continuous worship.", "etymology_highlights": "sam-indhate: ‘to kindle together/fully’ → ‘to cause to appear’; jāgṛvāṃsaḥ: ‘those who are awake’ → ritual attentiveness without lapse." }