Indra’s primordial birth as Vṛtra-slayer and world-establisher
तत्ते यज्ञो अजायत तदर्क उत हस्कृतिः तद्विश्वमभिभूरसि यज्जातं यच्च जन्त्वम्
tatte yajño ajāyata tadarka uta haskṛtiḥ tadviśvamabhibhūrasi yajjātaṃ yacca jantvam
tatte1 yajño2 ajāyata2 tad2 arka2 uta2 haskṛtiḥ2 | tad2 viśvam2 abhibhūr2 asi2 yajjātaṃ2 yacca2 jantvam2
Dari sana korbanmu terlahir; dari sana juga himne, dan dari sana laungan kegembiraan: maka engkau penunduk segala—apa jua yang lahir, dan apa jua yang hidup.
tat | te | yajñaḥ | ajāyata | tat | arkaḥ | uta | has-kṛtiḥ | tat | viśvam | abhibhūḥ | asi | yat | jātam | yat | ca | jantvam
Unknown/unspecified
{ "prastava": "Stobha prelude establishing a proclamatory tone", "udgitha": "Main exposition through ‘tatte yajño ajāyata…’", "pratihara": "Response reinforcing the triad (yajña/arka/haskṛti)", "upadrava": "After-song culminating in ‘tad viśvam abhibhūr asi’", "nidhana": "Collective closure on ‘yajjātaṃ yacca jantvam’ with broad settle", "structure_notes": "The triadic list is ideal for musical parallelism—similar melodic shapes repeated for yajña/arka/haskṛti.", "singer_assignments": "Standard udgātṛ group; nidhana often broadened to include all as a universal sweep (all born/all living)." }
{ "gloss_summary": "From that (Indra’s primordial power/act) arose yajña, arka, and haskṛti; hence Indra is abhibhū over all born and living.", "ritual_interpretation": "Indra’s primacy is tied to the emergence of rite and laudation—validating that the stoma is ‘his sphere’ and thus efficacious when directed to him.", "theological_insight": "Power and liturgy are inseparable: Indra’s lordship is expressed as the very generation of sacrificial order and praise.", "etymology_highlights": "abhibhū from abhi+√bhū ‘to overpower/prevail’; arka as hymn/praise; haskṛti as exultant acclamation (ritual shout)." }