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Shloka 72

Teaching of Karma-yoga

Student Conduct, Vedic Study, and Gāyatrī Supremacy

त्र्यहं न कारयेद्ब्रह्म राज्ञो राहोश्च सूतके । यावदेकान्ननिष्ठा स्यात्स्नेहालोपश्च तिष्ठति

tryahaṃ na kārayedbrahma rājño rāhośca sūtake | yāvadekānnaniṣṭhā syātsnehālopaśca tiṣṭhati

Selama tiga hari janganlah mengadakan brahma-yajña (ritus Weda) ketika berada dalam aśauca akibat kematian raja atau sūtaka Rāhu; selama amalan makan satu jenis makanan masih dipatuhi dan pantang sentuhan kasih masih berkuat kuasa.

त्र्यहम्three days (period)
त्र्यहम्:
Karma (कर्म/Object)
TypeNoun
Rootत्रि + अहन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; समासः द्विगुः (त्रीणि अहानि)
not
:
Sambandha (सम्बन्ध/negator)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेधार्थक-अव्यय (negation)
कारयेत्should cause to be done/should perform (by arranging)
कारयेत्:
Kriya (क्रिया/Verb)
TypeVerb
Rootकृ (धातु) (णिच् causative: कारय-)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन; णिच्-प्रयोग (causative)
ब्रह्मVedic recitation/holy rite (brahma)
ब्रह्म:
Karma (कर्म/Object)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
राज्ञःof the king
राज्ञः:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
राहोःof Rāhu
राहोः:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootराहु (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
सूतकेin the period of impurity (sūtaka)
सूतके:
Adhikarana (अधिकरण/Location-occasion)
TypeNoun
Rootसूतक (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
यावत्until/as long as
यावत्:
Sambandha (सम्बन्ध/temporal marker)
TypeIndeclinable
Rootयावत् (अव्यय)
Formअवधि/पर्यन्तार्थक-अव्यय (until/as long as)
एकान्ननिष्ठाthe observance of eating only one kind of food / single-meal discipline
एकान्ननिष्ठा:
Karta (कर्ता/Subject)
TypeNoun
Rootएक + अन्न + निष्ठा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; समासः तत्पुरुषः (एकम् अन्नम्—एकान्न; एकान्ने निष्ठा)
स्यात्should be
स्यात्:
Kriya (क्रिया/Verb)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन
स्नेहालोपःcessation of oiliness/unctuousness (no oil application)
स्नेहालोपः:
Karta (कर्ता/Subject)
TypeNoun
Rootस्नेह + लोप (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; समासः तत्पुरुषः (स्नेहस्य लोपः)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
तिष्ठतिremains/continues
तिष्ठति:
Kriya (क्रिया/Verb)
TypeVerb
Rootस्था (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन

Unspecified in the provided excerpt (context needed from Adhyaya 53 framing dialogue).

Concept: During sūtaka (ritual impurity) caused by major deaths or ominous disturbances, Vedic rites are suspended for a defined period; austerity (ekānna-niṣṭhā) and restraint (sneha-lopa) mark the purification interval.

Application: In periods of grief or disruption, simplify life (plain diet, reduced social intimacy), pause optional spiritual ‘performance,’ and focus on quiet purification and steadiness until clarity returns.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A subdued palace courtyard draped in white cloth: the community observes a three-day restraint, with priests setting aside manuscripts and ritual implements. Above, the sky hints at Rāhu’s shadow—an eclipse-like dimming—linking royal death-impurity with cosmic disturbance, while a small group eats a simple single-grain meal in silence.","primary_figures":["court brāhmaṇa priests","mourning attendants","symbolic Rāhu shadow in the sky"],"setting":"Royal courtyard transitioning into a quiet ritual hall; manuscripts wrapped, yajña vessels covered, simple meal area nearby.","lighting_mood":"overcast, eclipse-dimmed twilight","color_palette":["stone gray","muted white","dull gold","smoky violet","deep maroon"],"tanjore_prompt":"Tanjore painting style: a royal courtyard in mourning with priests respectfully covering Vedic texts and yajña vessels; a stylized eclipse disc above suggesting Rāhu; gold leaf used sparingly on palace architecture and ritual vessels, with restrained reds/greens muted to convey sūtaka austerity.","pahari_prompt":"Pahari miniature style: lyrical palace scene under a dimmed sky, delicate figures in white garments, priests pausing rites; cool grays and violets, refined architectural lines, a subtle eclipse motif, and quiet human gestures of restraint.","kerala_mural_prompt":"Kerala mural style: bold outlined palace pillars, priests with covered ritual items, stylized celestial disc of Rāhu; natural pigments with strong reds/yellows tempered by gray washes; expressive eyes conveying solemn discipline.","pichwai_prompt":"Pichwai cloth painting style: symbolic composition—central dark disc (Rāhu/eclipse) framed by ornate borders; below, simplified ritual objects covered with cloth, lotuses rendered in subdued tones; deep indigo and gold accents used to contrast austerity with sacred order."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["distant conch shell","low wind","soft footfalls","muted drum far away","long pauses"]}

Sandhi Resolution Notes: कारयेद्ब्रह्म = कारयेत् + ब्रह्म; राहोश्च = राहोः + च; यावदेकान्ननिष्ठा = यावत् + एकान्ननिष्ठा; स्यात्स्नेहालोपश्च = स्यात् + स्नेहालोपः + च.

B
Brahma (as brahma-yajña/vedic rite)
R
Rāhu
K
King (rājā)

FAQs

It restricts performing or commissioning “brahma” (i.e., Brahma-yajña/vedic recitation and related sacred rites) during a period of sūtaka (ritual impurity).

It sets a three-day minimum suspension for the rite in the specified sūtaka context, tied to the continuing observances described (simple single-food regimen and abstinence).

It emphasizes restraint and ritual discipline: during periods marked as impure or liminal, one should prioritize prescribed austerity and social/ritual boundaries over normal religious routines.