Shloka 57
The Glory of Gayā and the Pilgrimage Circuit of Allied Tīrthas
ये तु दानं प्रयच्छंति निष्ठायाः संगमे नराः । ते यांति नरशार्दूल ब्रह्मलोकमनामयम्
ye tu dānaṃ prayacchaṃti niṣṭhāyāḥ saṃgame narāḥ | te yāṃti naraśārdūla brahmalokamanāmayam
Adapun mereka yang bersedekah di tempat pertemuan Niṣṭhā—wahai harimau di antara manusia—akan menuju Brahmaloka yang suci, tanpa cela dan bebas penyakit.
Unspecified narrator (context not provided in the excerpt); addressing a listener as 'naraśārdūla'.
Concept: Dāna performed at a sanctified confluence, with niṣṭhā (steadfast intent), becomes a direct cause for higher-loka attainment.
Application: Give regularly, but especially align charity with sacred time/place and a clear vow; cultivate consistency (niṣṭhā) so generosity is not mood-dependent.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"At a luminous river-confluence, pilgrims stand on pale sandbanks where two currents meet in a swirling lotus-like eddy. A dignified donor offers cloth and food into the hands of a serene brāhmaṇa, while subtle celestial lotuses drift above, hinting at Brahmaloka’s stainless realm.","primary_figures":["pious donor (gṛhastha)","brāhmaṇa recipient","tīrtha-purohita","celestial attendants (gandharva/apsaras silhouettes)"],"setting":"river saṅgama with stone ghāṭa steps, small shrine, banyan and aśvattha trees, distant hermitage roofs","lighting_mood":"golden dawn","color_palette":["river-jade green","lotus pink","saffron ochre","pearl white","gold leaf"],"tanjore_prompt":"Tanjore painting style: sacred saṅgama ghāṭa at dawn, donor offering dāna to a brāhmaṇa before a small Viṣṇu shrine; ornate arches, gold leaf halos, gem-studded ornaments, rich vermilion and emerald textiles, stylized waves with gold highlights, traditional South Indian iconography and temple lamps.","pahari_prompt":"Pahari miniature style: delicate confluence landscape with two differently colored rivers merging, slender figures in simple dhotī and shawls, refined faces, soft mist over water, distant āśrama huts and trees, lyrical naturalism, cool blues and greens with warm saffron accents.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat yet vibrant pigments, ghāṭa scene with donor and brāhmaṇa, decorative river patterns, temple lamp-lit shrine, characteristic large eyes, dominant reds/yellows/greens, auspicious motifs (lotus, conch) framing the confluence.","pichwai_prompt":"Pichwai cloth painting style: confluence rendered with lotus motifs and ornate floral borders, a small Śālagrāma/Viṣṇu altar at the ghāṭa, devotees offering dāna, peacocks near water, deep indigo background with gold detailing and intricate textile patterns."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["flowing water","temple bells","conch shell (distant)","morning birds"]}
Sandhi Resolution Notes: प्रयच्छंति = प्रयच्छन्ति; ब्रह्मलोकमनामयम् = ब्रह्मलोकम् अनामयम्
FAQs
It states that charity performed at a sacred meeting-point (saṅgama) yields an exalted result: attainment of Brahmaloka, described as free from affliction.
Literally it means “at the confluence/meeting-point of Niṣṭhā.” In Purāṇic usage, saṅgama typically indicates a sacred junction (often of rivers or tīrthas) where religious acts like dāna are considered especially potent.
The verse promotes generosity (dāna) and suggests that giving in a spirit of religious commitment at holy places is a high virtue leading to elevated spiritual destinations.