Shloka 31
रेवाजलकणस्पर्शात्पैशाच्यात्ते विमोचिताः । तत्क्षणाद्दिव्यवपुषः प्रशशंसुश्च नर्मदाम्
revājalakaṇasparśātpaiśācyātte vimocitāḥ | tatkṣaṇāddivyavapuṣaḥ praśaśaṃsuśca narmadām
Dengan sentuhan setitis air Revā, mereka dibebaskan daripada keadaan sebagai piśāca. Pada saat itu juga, setelah memperoleh rupa ilahi, mereka memuji Narmadā.
Narrator (contextual; verse describes an event rather than direct speech)
Concept: Tirtha-sparśa (contact with sacred water) can instantaneously dissolve degraded states and reveal a higher, divinized identity.
Application: Approach sacred places with śraddhā; even small acts (a drop, a sip, a touch) done reverently can reorient one’s life toward purity and devotion.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: river
Visual Art Cues: {"scene_description":"On the emerald-green banks of the Narmadā, a single droplet arcs through the air and touches afflicted beings whose shadowy piśāca-forms dissolve like smoke. In the same instant, they stand transfigured in luminous, celestial bodies, hands folded, voices raised in praise to the river-goddess as lotuses drift past.","primary_figures":["Narmadā-devī (personified river goddess)","newly transfigured divine beings (formerly piśācas)","attendant river-spirits (apsaras-like)"],"setting":"Rocky riverbank with ghāṭa steps, flowing midstream with lotus clusters, distant Vindhya-like hills and a small shrine with a fluttering dhvaja","lighting_mood":"divine radiance breaking through river-mist","color_palette":["sapphire blue","river emerald","lotus pink","gold leaf","pearl white"],"tanjore_prompt":"Tanjore painting style: Narmadā-devī rising from stylized waves holding a lotus and kalaśa, a single jeweled droplet touching dark piśāca silhouettes that transform into radiant gandharva-like forms; heavy gold leaf halos, rich crimson-green borders, gem-studded ornaments, temple-arch framing, South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate riverbank scene with misty Narmadā, a tiny droplet rendered as a bright bead of light; shadowy figures turning into luminous celestial youths, hands in añjali; cool blues and greens, lyrical hills, fine facial features, soft naturalism and flowing garments.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Narmadā as a serene goddess with large expressive eyes, stylized waves, the droplet as a white-gold bindu; piśāca forms in muted browns transforming into bright yellows and reds; temple-wall aesthetic with ornamental creepers.","pichwai_prompt":"Pichwai cloth painting style: river as a sacred band filled with lotus motifs and ornate floral borders; central miracle of transformation depicted in rhythmic repetition; deep indigo background with gold highlights, peacocks near the ghāṭa, devotional text-cartouche praising Revā."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["flowing water","temple bells","conch shell","soft choral hum","riverbank birds"]}
Sandhi Resolution Notes: रेवाजलकणस्पर्शात् = रेवाजलकाṇस्पर्शात् (समास) ; पैशाच्यात्ते = पैशाच्यात् + ते; तत्क्षणाद्दिव्यवपुषः = तत्क्षणात् + दिव्यवपुषः; प्रशशंसुश्च = प्रशशंसुः + च
FAQs
It presents Narmadā as a purifying tīrtha whose water can immediately remove severe spiritual impurity (piśāca-condition) and restore a divine state.
The verse refers to previously afflicted beings (described as in a piśāca-state in the surrounding narrative) who are purified upon contact with a droplet of Revā’s water.
The implied lesson is reverence for sacred places and waters, and the idea that sincere contact with a sanctifying tīrtha can catalyze inner transformation leading to praise and gratitude.