Shloka 26
Narmadā
Revā) Tīrtha Greatness: The Gandharva Maidens’ Curse Narrative (Acchodā Episode Begins
रूपेण निःसीमतरो वराननः प्रफुल्लपद्मायतलोचनो युवा । विस्तीर्णवक्षाः सुभुजोऽतिसुंदरः श्यामच्छविः कामैवापरो हि सः
rūpeṇa niḥsīmataro varānanaḥ praphullapadmāyatalocano yuvā | vistīrṇavakṣāḥ subhujo'tisuṃdaraḥ śyāmacchaviḥ kāmaivāparo hi saḥ
Pada keelokan, dia melampaui segala batas—berwajah tampan, seorang pemuda bermata panjang laksana teratai mekar; dada bidang, lengan gagah, amat indah, berkulit gelap—sesungguhnya seakan-akan Kāma yang kedua.
Unspecified narrator (context not provided in the excerpt)
Concept: External beauty can be overwhelming; dharma requires discernment so that the mind is not conquered by kāma.
Application: Notice attraction without feeding it—label it, breathe, and redirect attention to mantra, duty, or service; cultivate ‘seeing’ that does not become ‘clinging’.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"A close, reverent portrait-like scene: the youth stands near the lake, rain-drops beading on his dark, luminous skin. His lotus-wide eyes and broad chest radiate a quiet magnetism, as if Kāma himself has taken a gentler, human form—beauty that both delights and unsettles onlookers.","primary_figures":["Brahmacārin youth (elder son of the Veda-treasure sage)"],"setting":"Lakeside foreground with blurred lotus blooms and monsoon haze behind","lighting_mood":"divine radiance","color_palette":["sapphire blue","smoky charcoal","lotus pink","antique gold","pearl white"],"tanjore_prompt":"Tanjore painting style: half-length icon-like depiction of the youthful brahmacārin with lotus-petal eyes, broad chest, strong arms, dark-hued complexion; gold leaf halo and ornamental borders, lotus motifs around the frame, rich reds/greens with gem-like highlights, stylized monsoon clouds behind.","pahari_prompt":"Pahari miniature style: elegant youthful figure with refined facial features and elongated lotus eyes, subtle shading on dark complexion, delicate lotus lake background with mist; cool restrained palette, fine textile patterns, poetic monsoon ambience.","kerala_mural_prompt":"Kerala mural style: frontal poised youth with bold outlines, large expressive lotus eyes, dark blue-black skin tone, simplified lotus lake backdrop; strong reds/yellows/greens in garments and borders, temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central youthful figure framed by dense lotus garlands and floral borders, deep blue background with gold highlights; stylized lotuses echoing his eyes, ornamental patterning emphasizing auspicious beauty."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft conch shell","temple bells","rain on leaves","low drone (tanpura)"]}
Sandhi Resolution Notes: varānanaḥ = vara-ānanaḥ; praphullapadmāyatalocano = praphulla-padma-āyata-locanaḥ; subhujo'tisuṃdaraḥ = su-bhujaḥ + ati-sundaraḥ; kāmaivāparo = kāmaḥ + eva + aparaḥ (visarga sandhi).
FAQs
The verse praises an unnamed youth’s extraordinary beauty and charm, saying he appears like a “second Kāma,” a standard Purāṇic/poetic way to express irresistible attractiveness.
The verse uses lotus imagery for the eyes (“long eyes like blossomed lotuses”) and classic heroic-beauty markers like broad chest, strong arms, and radiant dark complexion.
It is primarily descriptive (kāvya-style praise), setting a scene or character by emphasizing auspicious physical traits rather than stating a doctrine directly.