Shloka 61
Tīrtha-Māhātmya Sequence: Sacred Fords, Baths, Gifts, and Śrāddha
Narmadā-Belt Itinerary
पांडवेश्वरकं गत्वा स्नानं तत्र समाचरेत् । अक्षयं मोदते कालमवध्यस्तु सुरासुरैः
pāṃḍaveśvarakaṃ gatvā snānaṃ tatra samācaret | akṣayaṃ modate kālamavadhyastu surāsuraiḥ
Setelah pergi ke Pāṇḍaveśvaraka, hendaklah mandi suci di sana menurut tatacara. Dia bersukacita dalam kebahagiaan yang tidak binasa dan menjadi kebal terhadap dewa dan asura.
Pulastya (in dialogue with Bhīṣma)
Concept: Approached with due procedure (samācara), tīrtha-snāna confers enduring joy and protective spiritual armor.
Application: Undertake periodic ‘inner tīrtha’ practices—cleanse habits, keep vows, and seek sanctifying environments—so resilience grows against ‘deva-asura’ forces (helpful/harmful impulses).
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: tirtha
Visual Art Cues: {"scene_description":"A pilgrim arrives at Pāṇḍaveśvaraka, where a stone liṅga-shrine stands beside a clear bathing pool, yet Viṣṇu’s cakra-emblem glows in the sky, signaling the Vaiṣṇava phala behind the rite. As the pilgrim immerses, translucent guardians—half-deva, half-asura silhouettes—recede, implying ‘invulnerability’ born of sanctity.","primary_figures":["Pulastya (as narrator-sage)","Bhīṣma (as listener, seated respectfully)","a pilgrim devotee","symbolic deva and asura forms","Viṣṇu’s cakra/śaṅkha as celestial signs"],"setting":"tīrtha-kunda with ghāṭa steps, a small Īśvara shrine, sacred trees with tied threads, offerings of flowers and lamps","lighting_mood":"divine radiance","color_palette":["emerald green","lapis blue","sunlit gold","stone gray","hibiscus red"],"tanjore_prompt":"Tanjore painting style: central shrine of Pāṇḍaveśvaraka with ornate vimāna; pilgrim performing snāna in a kunda; Pulastya and Bhīṣma at the side in classical poses; above, Viṣṇu’s śaṅkha-cakra symbols in gold leaf; rich reds/greens, heavy jewelry detailing, embossed gold halos, temple arch framing.","pahari_prompt":"Pahari miniature style: serene kunda amid flowering trees; delicate figures of Pulastya teaching Bhīṣma; the pilgrim in water with ripples rendered in fine lines; faint deva-asura silhouettes dissolving into mist; cool palette with lyrical naturalism and distant hills.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized shrine and kunda; Pulastya gesturing in teaching mudrā; symbolic deva/asura forms at the margins; Viṣṇu’s emblems overhead; saturated reds, yellows, greens with rhythmic border patterns.","pichwai_prompt":"Pichwai cloth painting style: ornate floral border and lotus-filled kunda; shrine decorated with garlands; peacocks and cows near the ghāṭa; celestial śaṅkha-cakra motifs in the upper field; deep indigo background with gold highlights, intricate textile-like detailing."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","water splashes","conch shell","chanting chorus (soft)","wind through leaves"]}
Sandhi Resolution Notes: पाण्डवेश्वरकं (पाण्डवेश्वरकम्); कालमवध्यस्तु → कालम् + अवध्यः + तु; सुरासुरैः (द्वन्द्व-समास)
FAQs
It highlights Pāṇḍaveśvaraka as a named pilgrimage site (tīrtha) where a specific act—ritual bathing—is said to yield exceptional merit and protection.
By prescribing a devotional act (tīrtha-snānā) performed with reverence and proper observance, it presents sacred practice as a means to divine grace and lasting well-being.
The verse teaches disciplined religious conduct—undertaking prescribed rites at holy places—as a way to cultivate spiritual security, joy, and steadiness amid worldly threats.