Shloka 30
The Destruction of Dakṣa’s Sacrifice
स्वभार्यासहिताः सर्वे सपुत्रास्सह बांधवाः । त्वया समर्चिताः सर्वे दानमानपरिग्रहैः
svabhāryāsahitāḥ sarve saputrāssaha bāṃdhavāḥ | tvayā samarcitāḥ sarve dānamānaparigrahaiḥ
Mereka semua—bersama isteri, anak lelaki dan kaum kerabat—telah engkau muliakan dengan sewajarnya melalui sedekah (dāna), penghormatan, dan layanan tetamu yang beradab.
Unspecified (narrative voice not provided in the input excerpt)
Concept: Honoring guests and kin through dāna (gifts), māna (respect), and parigraha/ātithya (gracious reception) sustains dharma and social order.
Application: Practice intentional hospitality: welcome guests, offer food/water, speak respectfully, and give within means; treat family obligations as sacred duty.
Primary Rasa: shanta
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A spacious ancestral hall is prepared for a sacred gathering: guests sit in orderly rows while attendants offer water, garlands, and gifts. The host’s hands are extended in respectful añjali as wives and children of the invitees are welcomed, creating a calm, auspicious domestic-sacral atmosphere.","primary_figures":["dharma-minded host (gṛhastha)","invited sages/kinsmen with wives and sons","attendants bearing gifts"],"setting":"courtyard-hall of a prajāpati-like household, ritual vessels, flower garlands, seats arranged for honored guests","lighting_mood":"temple lamp-lit","color_palette":["sandalwood beige","vermillion red","leaf green","brass gold","ivory white"],"tanjore_prompt":"Tanjore painting style: a dignified gṛhastha host honoring seated guests with arghya and garlands, gold leaf embellishment on brass vessels and jewelry, rich reds and greens, ornate pillars, gem-studded ornaments, traditional South Indian iconography-like symmetry, serene faces, intricate textile patterns.","pahari_prompt":"Pahari miniature style: intimate courtyard reception scene with delicate brushwork, refined facial features, soft shadows, cool yet warm natural palette, patterned rugs, small ritual pots, lyrical domestic architecture, gentle gestures of hospitality and respect.","kerala_mural_prompt":"Kerala mural style: bold black outlines, natural pigments, temple-wall aesthetic, large expressive eyes, host offering arghya to guests, stylized pillars and lamps, dominant red/yellow/green palette, rhythmic composition with ritual vessels and garlands.","pichwai_prompt":"Pichwai cloth painting style: Vaishnava-inflected hospitality scene framed by lotus and floral borders, deep blues and gold accents, peacocks in the margins, attendants with offerings, symmetrical arrangement reminiscent of a devotional tableau, intricate textile motifs."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","murmur of guests","clink of brass vessels","gentle conch in distance"]}
Sandhi Resolution Notes: स्वभार्यासहिताः = स्व + भार्या + सहिताः (समास/सन्धि); सपुत्राः = स + पुत्राः; पुत्रास्सह = पुत्राः + सह; समर्चिताः (सम्+अर्चिताः); दानमानपरिग्रहैः = दान + मान + परिग्रहैः (समास).
FAQs
It praises dharmic conduct expressed as honoring guests and one’s community through charity (dāna), respect (māna), and hospitable reception (parigraha).
This verse primarily teaches social dharma—proper honoring of people—rather than explicit devotional practice, though such conduct is often treated as supportive of spiritual life.
From the single-verse excerpt alone, the speaker cannot be identified reliably; it reads as a commendation addressed to “you” (tvayā) within a larger dialogue or narrative.