Padma Purana — Srishti Khanda, Shloka 140187
Brahmā’s Lotus-Birth, Puṣkara-Creation Imagery, Madhu–Kaiṭabha, and Early Genealogies
हसंस्तिष्ठति दैत्यानाम्मध्ये क्रूर महाग्रहः । अन्ये हयगतास्तत्र मत्तेभेंद्रगताः परे
hasaṃstiṣṭhati daityānāmmadhye krūra mahāgrahaḥ | anye hayagatāstatra mattebheṃdragatāḥ pare
Sambil ketawa, penawan yang kejam lagi perkasa berdiri di tengah-tengah para Daitya. Di situ ada yang menunggang kuda, dan ada pula yang menaiki gajah-gajah raja yang sedang mabuk musth.
Unspecified narrator (context not provided for dialogue attribution)
Concept: Arrogant power (asuric pride) manifests as cruelty and mockery, foreshadowing its own downfall when opposed to divine order.
Application: Notice how ridicule and domination often accompany unchecked ambition; cultivate humility and restraint, especially when you hold advantage.
Primary Rasa: raudra
Secondary Rasa: hasya
Visual Art Cues: {"scene_description":"A cruel, mighty captor stands laughing at the center of a dense Daitya host, his shoulders squared in contempt. Around him, ranks of warriors on snorting horses and rutting, caparisoned elephants form a tightening ring, banners whipping in a stormy wind.","primary_figures":["Daitya leader (mahāgraha/mahābandhaka figure)","Daitya cavalry","Daitya elephant corps"],"setting":"A smoky battlefield plain at the edge of a cosmic city, trampled earth, broken reeds, war-drums and standards rising behind the ranks.","lighting_mood":"storm-lit, ominous radiance with flashes of metallic gleam","color_palette":["iron black","blood red","dust ochre","tarnished gold","smoke gray"],"tanjore_prompt":"Tanjore painting style: central laughing Daitya commander with exaggerated crown and gem-studded armor, flanked by elephant and horse riders in symmetrical tiers; heavy gold-leaf halos on weapons and ornaments, rich vermilion and emerald textiles, ornate borders with stylized lotus and flame motifs; dramatic eyes and bold iconographic posture of dominance.","pahari_prompt":"Pahari miniature style: a panoramic war-muster with delicate linework—Daitya leader laughing amid clustered cavalry and elephants; cool distant hills and a brooding sky, refined faces with sharp noses, rhythmic placement of banners; subtle shading on animal musculature and dust clouds.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments—Daitya chief in the center with fierce grin, wide eyes, and elaborate headgear; elephants and horses arranged in patterned bands; red-yellow-green palette with stylized clouds and flame-like aura around weapons.","pichwai_prompt":"Pichwai cloth painting style: a dramatic, decorative battlefield tableau framed by intricate floral borders; stylized elephants and horses in repeating motifs, deep indigo background with gold highlights; lotus medallions and peacock-feather patterns used as ornamental contrast to the martial scene (Krishna absent, emphasizing the asuric spectacle)."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["war-drums","conch shell","elephant trumpets","metallic clatter","wind gusts"]}
Sandhi Resolution Notes: हसन् + तिष्ठति → हसंस्तिष्ठति (न् + त → न्त्). दैत्यानाम् + मध्ये → दैत्यानाम्मध्ये (म् + म → म्म). हयगताः + तत्र → हयगतास्तत्र (विसर्ग-सन्धि). मत्तेभेन्द्रगताः इति रूपे ‘मत्त-इभ-इन्द्र’ समासः; पाठे mattebheṃdra- = मत्तेभेन्द्र- (स्वर/अनुस्वार-लिप्यन्तर).
FAQs
Daityas are a class of powerful beings often portrayed as opponents of the Devas in Purāṇic literature, frequently associated with conflict, ambition, and rivalry with divine orders.
The mounts suggest a militarized scene and the presence of an organized force—horses indicating speed and cavalry, and rutting elephants indicating overwhelming power and intimidation.
The verse emphasizes the volatile nature of power and aggression: cruelty and triumphal laughter amid armed strength foreshadow instability and the consequences of domination.