Shloka 27
The Account and Merit of Śivadūtī
with the Nāga-tīrtha at Puṣkara
अतोन्यस्मिन्भवे भूयान्ममकोपात्सुदारुणात् । भवतां हि क्षयो घोरो भावि वैवस्वतेंतरे
atonyasminbhave bhūyānmamakopātsudāruṇāt | bhavatāṃ hi kṣayo ghoro bhāvi vaivasvateṃtare
Maka, dalam kelahiran lain pada masa hadapan, kerana kemurkaan-Ku yang amat dahsyat, kebinasaan yang menggerunkan pasti akan menimpa kamu dalam sela zaman Vaivasvata (Manu).
Unspecified (context required to identify the dialogue speaker with certainty)
Concept: Adharma ripens into future consequences across births and epochs; cosmic time itself becomes the stage for justice.
Application: Do not rely on delay as escape; reform harmful patterns early, since consequences can mature later with greater force.
Primary Rasa: bhayanaka
Secondary Rasa: raudra
Type: celestial_realm
Visual Art Cues: {"scene_description":"A prophetic vision unfurls behind the speaker like a cosmic tapestry: wheels of time labeled with manvantaras, and within one segment the nāgas face a looming annihilation. The speaker’s wrath is contained but absolute, as if sealing fate with a single utterance.","primary_figures":["Prophetic speaker (Brahmā implied)","nāgas","personified Kāla (optional symbolic figure)"],"setting":"A celestial chamber where a time-wheel (kāla-cakra) appears as a luminous mandala behind the throne.","lighting_mood":"divine radiance","color_palette":["storm violet","burnished gold","ink black","silver","serpent jade"],"tanjore_prompt":"Tanjore painting style: Brahmā with gold leaf halo before a large kāla-cakra mandala, embossed gold segments; nāgas at the base in fearful posture; ornate borders and gem-like highlights emphasizing inevitability and cosmic decree.","pahari_prompt":"Pahari miniature style: elegant circular time-wheel painted like a delicate mandala in the sky; Brahmā calm yet stern; nāgas small and tense; cool blues and violets with fine gold accents, refined narrative symbolism.","kerala_mural_prompt":"Kerala mural style: bold circular kāla-cakra behind the central figure; nāgas arranged in rhythmic coils; strong reds/yellows for the curse energy, deep greens for serpents, temple-wall austerity.","pichwai_prompt":"Pichwai cloth painting style: central mandala of time with lotus petals; nāga motifs in repeating border; narrative medallions showing ‘future destruction’ as stylized flames; deep indigo cloth with gold and silver detailing."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairav","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["low tanpura drone","single bell tolls","distant thunder","conch echo","heavy silence"]}
Sandhi Resolution Notes: अतो + अन्यस्मिन् + भवे → अतोन्यस्मिन्भवे; मम + कोपात् → ममकोपात्; वैवस्वत + अन्तरे → वैवस्वतेंतरे (अनुस्वार/ए-समाससन्धि लेखन).
FAQs
It refers to the period associated with Vaivasvata Manu—i.e., the Vaivasvata manvantara or its interval—used as a cosmic time-marker for when the foretold event will occur.
The wording frames a future consequence triggered by the speaker’s “dreadful anger,” which functions like a curse/prophetic declaration: a destructive outcome is said to manifest at a specified cosmic time.
It warns that uncontrolled anger can become a cause of severe harm and long-reaching consequences, extending even into future births and cosmic epochs.