Shloka 150
The Account and Merit of Śivadūtī
with the Nāga-tīrtha at Puṣkara
सर्वपापविनिर्मुक्तः परं निर्वाणमाप्नुयात् । यश्चैनं पठते भक्त्या स्नात्वा वै पुष्करे जले
sarvapāpavinirmuktaḥ paraṃ nirvāṇamāpnuyāt | yaścainaṃ paṭhate bhaktyā snātvā vai puṣkare jale
Terlepas daripada segala dosa, seseorang mencapai nirwana yang tertinggi. Dan sesiapa yang membacanya dengan bhakti setelah mandi suci di air Puṣkara, dia juga memperoleh pahala yang sama.
Unspecified in the provided excerpt (context likely within a Purāṇic dialogue narration in Sṛṣṭikhaṇḍa)
Concept: Bhakti-infused recitation, especially when joined with tīrtha-snāna, purifies all pāpa and leads toward nirvāṇa (supreme liberation).
Application: When visiting a sacred place, pair bathing/ritual purity with meaningful recitation (stotra, nāma, or a short adhyāya) and a clear intention of inner transformation rather than tourism.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"At the edge of Puṣkara Sarovar, a devotee emerges from the water with wet hair and folded hands, then sits on a stone ghat reciting from a manuscript. The lake reflects a vast sky, and the atmosphere feels washed clean—sins dissolving like ink in water—while a subtle divine presence blesses the act.","primary_figures":["devotee/reciter","optional sage guiding the recitation","subtle presiding divinity (Brahmā at Puṣkara; Vaishnava aura of Narayana as liberating grace)"],"setting":"Pushkar Lake ghats with steps, water-lilies, distant temples and pilgrims","lighting_mood":"golden dawn","color_palette":["lotus pink","saffron gold","sky blue","stone gray","white jasmine"],"tanjore_prompt":"Tanjore painting style: Puṣkara ghats at dawn, devotee seated with manuscript after sacred bath, shimmering gold-leaf highlights on the water and temple domes; ornate halos for the subtle presiding deity, rich reds/greens in garments, gem-like detailing, lotus motifs and conch patterns worked into the border.","pahari_prompt":"Pahari miniature style: serene lakeside with delicate ripples, soft dawn gradient, devotee reading quietly; distant temples and pilgrims rendered with fine brushwork, cool blues and gentle pinks, lyrical naturalism with lotus clusters near the steps.","kerala_mural_prompt":"Kerala mural style: stylized ghat steps and lotus-filled water, devotee in iconic posture holding a text; bold outlines, natural pigments, warm saffron and green accents; a symbolic aura above the lake suggesting liberation, framed by traditional mural borders.","pichwai_prompt":"Pichwai cloth painting style: expansive lotus-filled sacred water with ornate floral borders; central devotee reciting after snāna; deep blues and gold, intricate lotus and creeper motifs, temple silhouettes, peacocks near the ghats, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["flowing water","gentle temple bells","morning birds","soft conch shell","mantra murmurs from pilgrims"]}
Sandhi Resolution Notes: निर्वाणमाप्नुयात् = निर्वाणम् + आप्नुयात्; यश्चैनम् = यः + च + एनम्.
FAQs
It highlights Puṣkara as a named pilgrimage-site (tīrtha) whose waters are considered spiritually potent; bathing there is linked with heightened religious merit when paired with recitation.
It makes devotion (bhaktyā) the key inner qualification for recitation, implying that the spiritual fruit is not merely ritualistic but depends on heartfelt devotional intent.
The verse encourages purification of conduct and conscience—moving away from sin (pāpa) and toward liberation—through sincere practice combining sacred place, disciplined action (snāna), and devotional remembrance/recitation.