Shloka 110
The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī
Gaṅgā
ख्याप्योहं दनुमुख्यानां देवराज त्वया कृतः । आगच्छता मम गृहं पुण्यता तु परा हि मे
khyāpyohaṃ danumukhyānāṃ devarāja tvayā kṛtaḥ | āgacchatā mama gṛhaṃ puṇyatā tu parā hi me
Wahai Raja para dewa, engkau telah menjadikan aku masyhur dalam kalangan Dānava yang terkemuka. Dengan kedatanganmu ke rumahku, pahala kebajikanku benar-benar menjadi yang paling utama.
Unspecified in the provided excerpt (a Dānava speaking to Indra/Devarāja).
Concept: Association with the exalted (even an adversary like Indra) can elevate one’s merit; honor and recognition can transform social standing and inner disposition.
Application: Seek uplifting company and cultivate respectful conduct even across differences; recognize that humility and honor can reform relationships.
Primary Rasa: adbhuta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A proud Dānava, adorned with martial ornaments yet softened by reverence, addresses Indra with folded hands, acknowledging that Indra’s visit has made him renowned and supremely meritorious. The scene balances tension and reconciliation—celestial authority meeting netherworld grandeur within a household hall.","primary_figures":["a Dānava noble/host","Śakra (Indra)"],"setting":"grand yet shadowed hall with asura-like architecture—dark pillars, carved motifs—contrasted by Indra’s luminous aura; offering tray and arghya vessel between them as a bridge of dharma","lighting_mood":"divine radiance","color_palette":["midnight blue","burnished gold","crimson","obsidian black","pale turquoise"],"tanjore_prompt":"Tanjore painting style: Indra radiant with gold leaf halo and jeweled crown, facing a richly ornamented Dānava in a dark-pillared hall; arghya tray centered; heavy gold embellishment, embossed jewelry, saturated reds/greens, dramatic contrast of shadowed architecture and divine glow.","pahari_prompt":"Pahari miniature style: refined confrontation-turned-reverence—Indra luminous, Dānava dignified; cool blues and turquoises with crimson accents; delicate architectural detailing, expressive yet restrained faces, narrative clarity.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized eyes; Indra’s aura in bright yellows/reds, Dānava in deeper tones; symmetrical composition with ritual objects prominent, temple-wall aesthetic applied to a courtly hall.","pichwai_prompt":"Pichwai cloth painting style: Indra centered with ornate border of lotuses; Dānava shown respectfully at one side; deep blue ground with gold highlights, floral motifs and peacocks, emphasizing the sanctifying power of divine presence."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["distant thunder (Indra)","conch shell (soft)","metallic clink of ornaments","hall reverberation"]}
Sandhi Resolution Notes: ख्याप्योहं → ख्याप्यः + अहम्; दनुमुख्यानां (दनु + मुख्य) समास; श्लोके ‘अस्ति’ इति क्रिया लुप्ता (पुण्यता ... परा).
FAQs
It states that the very arrival of a distinguished guest—here, Indra—makes the host’s merit supreme, highlighting the dharmic value of honoring guests (atithi-satkāra).
“Devarāja” means “king of the gods,” a common epithet for Indra, emphasizing his sovereignty among the devas and the honor conferred by his presence.
The verse implies that recognition and status can arise through association with great beings and through virtuous conduct such as hospitality, rather than through mere power or lineage.